L'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filmée

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dc.contributor.advisorWynchank, Annyen_ZA
dc.contributor.authorVrancken, Maria do Céu Oliveiraen_ZA
dc.date.accessioned2014-10-06T12:15:56Z
dc.date.available2014-10-06T12:15:56Z
dc.date.issued2008en_ZA
dc.descriptionIncludes abstract in English.en_ZA
dc.descriptionIncludes bibliographical references (leaves 237-260).en_ZA
dc.description.abstractOf the eighteen films produced by the Senegalese Ousmane Sembène, five are adaptations of his novels and novellas. In the case of Guelwaar, his sixth and last adaptation, it is the novel which he adapted to the film of the same name. Sembène, who considered himself to be a "modem griot", felt that cinema was a more effective medium to reach his people and deliver his message. Once copies of all six films had been obtained, two with great difficulty as they were never commercially released, the cinematic techniques which Sembène used to convey his ideology were carefully studied and then compared to the literary techniques utilised in his writings.en_ZA
dc.identifier.apacitationVrancken, M. d. C. O. (2008). <i>L'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filmée</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,School of Languages and Literatures. Retrieved from http://hdl.handle.net/11427/8228en_ZA
dc.identifier.chicagocitationVrancken, Maria do Céu Oliveira. <i>"L'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filmée."</i> Thesis., University of Cape Town ,Faculty of Humanities ,School of Languages and Literatures, 2008. http://hdl.handle.net/11427/8228en_ZA
dc.identifier.citationVrancken, M. 2008. L'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filmée. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Vrancken, Maria do Céu Oliveira AB - Of the eighteen films produced by the Senegalese Ousmane Sembène, five are adaptations of his novels and novellas. In the case of Guelwaar, his sixth and last adaptation, it is the novel which he adapted to the film of the same name. Sembène, who considered himself to be a "modem griot", felt that cinema was a more effective medium to reach his people and deliver his message. Once copies of all six films had been obtained, two with great difficulty as they were never commercially released, the cinematic techniques which Sembène used to convey his ideology were carefully studied and then compared to the literary techniques utilised in his writings. DA - 2008 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2008 T1 - L'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filmée TI - L'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filmée UR - http://hdl.handle.net/11427/8228 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/8228
dc.identifier.vancouvercitationVrancken MdCO. L'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filmée. [Thesis]. University of Cape Town ,Faculty of Humanities ,School of Languages and Literatures, 2008 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/8228en_ZA
dc.language.isofreen_ZA
dc.publisher.departmentSchool of Languages and Literaturesen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherLanguage and Literatureen_ZA
dc.titleL'idéologie d'Ousmane Sembène : de l'œuvre écrite À l'œuvre filméeen_ZA
dc.typeDoctoral Thesis
dc.type.qualificationlevelDoctoral
dc.type.qualificationnamePhDen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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