Filling in the gaps
dc.contributor.advisor | Alexander, Jane | en_ZA |
dc.contributor.advisor | Mackenny, Virginia | en_ZA |
dc.contributor.author | Sacks, Ruth | en_ZA |
dc.date.accessioned | 2014-10-06T12:10:52Z | |
dc.date.available | 2014-10-06T12:10:52Z | |
dc.date.issued | 2007 | en_ZA |
dc.description | Includes bibliographical references (p. 120-126). | en_ZA |
dc.description.abstract | In 2007, Brian O'Doherty's words still apply. The art object and its context are intrinsically intertwined. A variety of contexts make up the mechanisms of the contemporary art world. From established organizations to more informal platforms, each performs a necessary function. Representation in a national museum or a respected public collection bestows a measure of credibility on a piece. Outside of austere exhibition rooms and refined gallery spaces, more informal arenas have their own authority. An independent artistic intervention on a busy pavement or a remote beach can suggest an anti-institutionalist stance. The artist is not bound by the conventions of more traditional structures. Yet, a great deal of interventionist work ultimately makes its way into galleries and collections in the form of residue and documentation. These become marketable and collectable products. Similarly, reputed organizations sometimes orchestrate potentially disruptive insertions into the public sphere in the form of performances or temporary installations. Even when they appear to be at odds, the different forums in which artworks exist rely on each other. | en_ZA |
dc.identifier.apacitation | Sacks, R. (2007). <i>Filling in the gaps</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/8204 | en_ZA |
dc.identifier.chicagocitation | Sacks, Ruth. <i>"Filling in the gaps."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2007. http://hdl.handle.net/11427/8204 | en_ZA |
dc.identifier.citation | Sacks, R. 2007. Filling in the gaps. University of Cape Town. | en_ZA |
dc.identifier.ris | TY - Thesis / Dissertation AU - Sacks, Ruth AB - In 2007, Brian O'Doherty's words still apply. The art object and its context are intrinsically intertwined. A variety of contexts make up the mechanisms of the contemporary art world. From established organizations to more informal platforms, each performs a necessary function. Representation in a national museum or a respected public collection bestows a measure of credibility on a piece. Outside of austere exhibition rooms and refined gallery spaces, more informal arenas have their own authority. An independent artistic intervention on a busy pavement or a remote beach can suggest an anti-institutionalist stance. The artist is not bound by the conventions of more traditional structures. Yet, a great deal of interventionist work ultimately makes its way into galleries and collections in the form of residue and documentation. These become marketable and collectable products. Similarly, reputed organizations sometimes orchestrate potentially disruptive insertions into the public sphere in the form of performances or temporary installations. Even when they appear to be at odds, the different forums in which artworks exist rely on each other. DA - 2007 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2007 T1 - Filling in the gaps TI - Filling in the gaps UR - http://hdl.handle.net/11427/8204 ER - | en_ZA |
dc.identifier.uri | http://hdl.handle.net/11427/8204 | |
dc.identifier.vancouvercitation | Sacks R. Filling in the gaps. [Thesis]. University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2007 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/8204 | en_ZA |
dc.language.iso | eng | en_ZA |
dc.publisher.department | Michaelis School of Fine Art | en_ZA |
dc.publisher.faculty | Faculty of Humanities | en_ZA |
dc.publisher.institution | University of Cape Town | |
dc.subject.other | Fine Arts | en_ZA |
dc.title | Filling in the gaps | en_ZA |
dc.type | Master Thesis | |
dc.type.qualificationlevel | Masters | |
dc.type.qualificationname | MFA | en_ZA |
uct.type.filetype | Text | |
uct.type.filetype | Image | |
uct.type.publication | Research | en_ZA |
uct.type.resource | Thesis | en_ZA |
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