The cutting edge : deviant realisms and cinematic disruption

Simple item page
dc.contributor.advisorHiggins, Johnen_ZA
dc.contributor.authorWatson, Maryen_ZA
dc.date.accessioned2014-10-06T11:25:52Z
dc.date.available2014-10-06T11:25:52Z
dc.date.issued2007en_ZA
dc.descriptionIncludes bibliographical references (leaves 212-225)en_ZA
dc.description.abstractThis thesi explores two possibilities and relates them to each other: infusions of fantasy (or magic, the dream, the ,marvellous) which undermine realism and the use of disruption as a specific strategy for communicating disorder or elusive experience. It examines the expression of both fantasy and disruption with an emphasis on film editing. This study considers editing as the foundation of narrative structure in film, and explores the effects of alternative articulations of space, time and the body in film that deliberately subvert the norms of continuity editing.en_ZA
dc.identifier.apacitationWatson, M. (2007). <i>The cutting edge : deviant realisms and cinematic disruption</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Centre for Film and Media Studies. Retrieved from http://hdl.handle.net/11427/8125en_ZA
dc.identifier.chicagocitationWatson, Mary. <i>"The cutting edge : deviant realisms and cinematic disruption."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Centre for Film and Media Studies, 2007. http://hdl.handle.net/11427/8125en_ZA
dc.identifier.citationWatson, M. 2007. The cutting edge : deviant realisms and cinematic disruption. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Watson, Mary AB - This thesi explores two possibilities and relates them to each other: infusions of fantasy (or magic, the dream, the ,marvellous) which undermine realism and the use of disruption as a specific strategy for communicating disorder or elusive experience. It examines the expression of both fantasy and disruption with an emphasis on film editing. This study considers editing as the foundation of narrative structure in film, and explores the effects of alternative articulations of space, time and the body in film that deliberately subvert the norms of continuity editing. DA - 2007 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2007 T1 - The cutting edge : deviant realisms and cinematic disruption TI - The cutting edge : deviant realisms and cinematic disruption UR - http://hdl.handle.net/11427/8125 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/8125
dc.identifier.vancouvercitationWatson M. The cutting edge : deviant realisms and cinematic disruption. [Thesis]. University of Cape Town ,Faculty of Humanities ,Centre for Film and Media Studies, 2007 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/8125en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentCentre for Film and Media Studiesen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherFilm and Media Studiesen_ZA
dc.titleThe cutting edge : deviant realisms and cinematic disruptionen_ZA
dc.typeDoctoral Thesis
dc.type.qualificationlevelDoctoral
dc.type.qualificationnamePhDen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
Files
Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
thesis_hum_2007_watson_m.pdf
Size:
9.97 MB
Format:
Adobe Portable Document Format
Description:
Download
Collections
PhD / Doctoral