Form and the picturing of mining : an epistemology of form with special reference to the explication of iconography

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dc.contributor.authorPayne, Malcolmen_ZA
dc.date.accessioned2016-01-12T11:26:05Z
dc.date.available2016-01-12T11:26:05Z
dc.date.issued1992en_ZA
dc.descriptionBibliography: pages 67-72.en_ZA
dc.description.abstractThe work presented here is a bounded excerpt of a broader programme of creative endeavour. Framed by the constraints of the MFA degree , the special value of this project has been the opportunity it has presented to articulate some of the ideas that have developed over a period of time and have informed my working process. The theme of mining and related activities forms the visible field in which I have extended my formal pictorial methodology . The visual primacy and corporeality of form in painting have been the enabling vehicles assisting me to re - code selected iconography. The genealogy of this form and its development is chronologically traced in three groups of work preceding the body of work executed for the MFA.en_ZA
dc.identifier.apacitationPayne, M. (1992). <i>Form and the picturing of mining : an epistemology of form with special reference to the explication of iconography</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/16369en_ZA
dc.identifier.chicagocitationPayne, Malcolm. <i>"Form and the picturing of mining : an epistemology of form with special reference to the explication of iconography."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 1992. http://hdl.handle.net/11427/16369en_ZA
dc.identifier.citationPayne, M. 1992. Form and the picturing of mining : an epistemology of form with special reference to the explication of iconography. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Payne, Malcolm AB - The work presented here is a bounded excerpt of a broader programme of creative endeavour. Framed by the constraints of the MFA degree , the special value of this project has been the opportunity it has presented to articulate some of the ideas that have developed over a period of time and have informed my working process. The theme of mining and related activities forms the visible field in which I have extended my formal pictorial methodology . The visual primacy and corporeality of form in painting have been the enabling vehicles assisting me to re - code selected iconography. The genealogy of this form and its development is chronologically traced in three groups of work preceding the body of work executed for the MFA. DA - 1992 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 1992 T1 - Form and the picturing of mining : an epistemology of form with special reference to the explication of iconography TI - Form and the picturing of mining : an epistemology of form with special reference to the explication of iconography UR - http://hdl.handle.net/11427/16369 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/16369
dc.identifier.vancouvercitationPayne M. Form and the picturing of mining : an epistemology of form with special reference to the explication of iconography. [Thesis]. University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 1992 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/16369en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentMichaelis School of Fine Arten_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherArt, Abstract - South Africaen_ZA
dc.subject.otherMines and mineral resources in arten_ZA
dc.titleForm and the picturing of mining : an epistemology of form with special reference to the explication of iconographyen_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMFAen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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