Form and the picturing of mining : an epistemology of form with special reference to the explication of iconography

Master Thesis

1992

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University of Cape Town

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Abstract
The work presented here is a bounded excerpt of a broader programme of creative endeavour. Framed by the constraints of the MFA degree , the special value of this project has been the opportunity it has presented to articulate some of the ideas that have developed over a period of time and have informed my working process. The theme of mining and related activities forms the visible field in which I have extended my formal pictorial methodology . The visual primacy and corporeality of form in painting have been the enabling vehicles assisting me to re - code selected iconography. The genealogy of this form and its development is chronologically traced in three groups of work preceding the body of work executed for the MFA.
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Bibliography: pages 67-72.

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