Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people

dc.contributor.advisorBurgess, Marlon
dc.contributor.authorWong, Eve
dc.date.accessioned2025-10-02T08:48:09Z
dc.date.available2025-10-02T08:48:09Z
dc.date.issued2025
dc.date.updated2025-10-02T08:46:00Z
dc.description.abstractThis dissertation critically reimagines postcolonial marginality, challenging the traditional 'before' and 'after' dichotomy to explore marginality as a dynamic, ongoing process of identity formation and resistance. Focusing on the Indigenous “Khoisan Revivalism” movement in South Africa, it examines how young, urban, and working-class individuals claiming Khoisan identity navigate intersections of cultural sincerity, political disengagement, and social justice. The work highlights the emergence of a resilient and marginalised “missing people.” whose identities are continuously shaped through historical struggles and contemporary aspirations. Rejecting essentialist notions of race, “mixedness,” and authenticity, this study positions “sincerity” as central to understanding identity production. Linking sincerity to Sara Ahmed's “stickiness” of affective flows and Gilles Deleuze's “fabulation” demonstrates how marginalised communities transform erased histories into tools for agency, actionable hope, and collective empowerment. Fabulation, in particular, enables the reimagining of suppressed identities, bridging historical realities with speculative futures. Tracing the historical contexts of “coloured” and “Khoisan” peoples, the dissertation troubles the boundaries of these definitions through interdisciplinary ideas. It reveals how gaps and incompleteness provide fertile spaces for identity reimaginings, offering fresh perspectives on how individuals claim and redefine belonging. Methodologically, the research combines ethnographic fieldwork, interviews, and cultural analysis while addressing the ethical complexities of representation. It also investigates how Khoisan identity is appropriated, authenticated, and politicised in legal frameworks, traditions, and state policies, exposing tensions between cultural revitalisation and sociopolitical alienation. With its focus on “cultural, not political” investments, the study challenges dominant, elite-driven identity discourses. By shedding light on South Africa's “missing people,” this work reframes marginalisation as a negotiation of identity and agency and a suspension between fear and desire. It is a compelling call to recognise the vibrancy and creativity of Khoisan revivalists as they reclaim belonging and craft new visions for social justice in an increasingly fragmented world.
dc.identifier.apacitationWong, E. (2025). <i>Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people</i>. (). University of Cape Town ,Faculty of Humanities ,Department of Anthropology. Retrieved from http://hdl.handle.net/11427/41969en_ZA
dc.identifier.chicagocitationWong, Eve. <i>"Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people."</i> ., University of Cape Town ,Faculty of Humanities ,Department of Anthropology, 2025. http://hdl.handle.net/11427/41969en_ZA
dc.identifier.citationWong, E. 2025. Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people. . University of Cape Town ,Faculty of Humanities ,Department of Anthropology. http://hdl.handle.net/11427/41969en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Wong, Eve AB - This dissertation critically reimagines postcolonial marginality, challenging the traditional 'before' and 'after' dichotomy to explore marginality as a dynamic, ongoing process of identity formation and resistance. Focusing on the Indigenous “Khoisan Revivalism” movement in South Africa, it examines how young, urban, and working-class individuals claiming Khoisan identity navigate intersections of cultural sincerity, political disengagement, and social justice. The work highlights the emergence of a resilient and marginalised “missing people.” whose identities are continuously shaped through historical struggles and contemporary aspirations. Rejecting essentialist notions of race, “mixedness,” and authenticity, this study positions “sincerity” as central to understanding identity production. Linking sincerity to Sara Ahmed's “stickiness” of affective flows and Gilles Deleuze's “fabulation” demonstrates how marginalised communities transform erased histories into tools for agency, actionable hope, and collective empowerment. Fabulation, in particular, enables the reimagining of suppressed identities, bridging historical realities with speculative futures. Tracing the historical contexts of “coloured” and “Khoisan” peoples, the dissertation troubles the boundaries of these definitions through interdisciplinary ideas. It reveals how gaps and incompleteness provide fertile spaces for identity reimaginings, offering fresh perspectives on how individuals claim and redefine belonging. Methodologically, the research combines ethnographic fieldwork, interviews, and cultural analysis while addressing the ethical complexities of representation. It also investigates how Khoisan identity is appropriated, authenticated, and politicised in legal frameworks, traditions, and state policies, exposing tensions between cultural revitalisation and sociopolitical alienation. With its focus on “cultural, not political” investments, the study challenges dominant, elite-driven identity discourses. By shedding light on South Africa's “missing people,” this work reframes marginalisation as a negotiation of identity and agency and a suspension between fear and desire. It is a compelling call to recognise the vibrancy and creativity of Khoisan revivalists as they reclaim belonging and craft new visions for social justice in an increasingly fragmented world. DA - 2025 DB - OpenUCT DP - University of Cape Town KW - Khoisan KW - Marginality KW - Identity KW - Postcolonial KW - Sincerity KW - Stickiness KW - Fabulation LK - https://open.uct.ac.za PB - University of Cape Town PY - 2025 T1 - Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people TI - Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people UR - http://hdl.handle.net/11427/41969 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/41969
dc.identifier.vancouvercitationWong E. Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people. []. University of Cape Town ,Faculty of Humanities ,Department of Anthropology, 2025 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/41969en_ZA
dc.language.isoen
dc.language.rfc3066eng
dc.publisher.departmentDepartment of Anthropology
dc.publisher.facultyFaculty of Humanities
dc.publisher.institutionUniversity of Cape Town
dc.subjectKhoisan
dc.subjectMarginality
dc.subjectIdentity
dc.subjectPostcolonial
dc.subjectSincerity
dc.subjectStickiness
dc.subjectFabulation
dc.titleFabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people
dc.typeThesis / Dissertation
dc.type.qualificationlevelDoctoral
dc.type.qualificationlevelPhD
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