From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989.

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dc.contributor.advisorBickford-Smith, Vivianen_ZA
dc.contributor.authorRiley, Eustaciaen_ZA
dc.date.accessioned2015-01-06T18:58:52Z
dc.date.available2015-01-06T18:58:52Z
dc.date.issued2012en_ZA
dc.descriptionIncludes abstract.en_ZA
dc.descriptionIncludes bibliographical references.en_ZA
dc.description.abstractThis thesis analyses the representation of landscape, place and identity in films set in the Cape between 1947 and 1989. These films are products of a "white", largely state-subsidised film industry, although they include a small number of independent, "alternative" films. A critical reading of these cinematic "apartheid landscapes" provides evidence of the historical context, discourses and values informing their production, as well as the construction and transformation of place and identity in apartheid South Africa.en_ZA
dc.identifier.apacitationRiley, E. (2012). <i>From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Department of Historical Studies. Retrieved from http://hdl.handle.net/11427/11641en_ZA
dc.identifier.chicagocitationRiley, Eustacia. <i>"From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Department of Historical Studies, 2012. http://hdl.handle.net/11427/11641en_ZA
dc.identifier.citationRiley, E. 2012. From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Riley, Eustacia AB - This thesis analyses the representation of landscape, place and identity in films set in the Cape between 1947 and 1989. These films are products of a "white", largely state-subsidised film industry, although they include a small number of independent, "alternative" films. A critical reading of these cinematic "apartheid landscapes" provides evidence of the historical context, discourses and values informing their production, as well as the construction and transformation of place and identity in apartheid South Africa. DA - 2012 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2012 T1 - From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989 TI - From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989 UR - http://hdl.handle.net/11427/11641 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/11641
dc.identifier.vancouvercitationRiley E. From Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989. [Thesis]. University of Cape Town ,Faculty of Humanities ,Department of Historical Studies, 2012 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/11641en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentDepartment of Historical Studiesen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherHistorical Studiesen_ZA
dc.titleFrom Matieland to motherland : landscape, identity and place in feature films set in the Cape Province, 1947-1989.en_ZA
dc.typeDoctoral Thesis
dc.type.qualificationlevelDoctoral
dc.type.qualificationnamePhDen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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