An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface
dc.contributor.advisor | Delport, Peggy | |
dc.contributor.author | Siebert, Kim | |
dc.date.accessioned | 2024-08-13T13:06:05Z | |
dc.date.available | 2024-08-13T13:06:05Z | |
dc.date.issued | 1984 | |
dc.date.updated | 2024-07-22T13:28:22Z | |
dc.description.abstract | The work includes a variety of approaches varying from the use of images selected from the media and found objects to objects transformed or manufactured by the artist. A major formal concern is the integration of collage or assemblage with the painted surface. Subject matter is drawn from persona] preoccupations with biographical details, womanhood and social and historical context. The format and scale of the works vary and are determined by the content. The practical body of work is accompanied by a short dissertation which discusses the nature of the formal mode used and its relationship to the content of the work. | |
dc.identifier.apacitation | Siebert, K. (1984). <i>An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface</i>. (). ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/40503 | en_ZA |
dc.identifier.chicagocitation | Siebert, Kim. <i>"An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface."</i> ., ,Faculty of Humanities ,Michaelis School of Fine Art, 1984. http://hdl.handle.net/11427/40503 | en_ZA |
dc.identifier.citation | Siebert, K. 1984. An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface. . ,Faculty of Humanities ,Michaelis School of Fine Art. http://hdl.handle.net/11427/40503 | en_ZA |
dc.identifier.ris | TY - Thesis / Dissertation AU - Siebert, Kim AB - The work includes a variety of approaches varying from the use of images selected from the media and found objects to objects transformed or manufactured by the artist. A major formal concern is the integration of collage or assemblage with the painted surface. Subject matter is drawn from persona] preoccupations with biographical details, womanhood and social and historical context. The format and scale of the works vary and are determined by the content. The practical body of work is accompanied by a short dissertation which discusses the nature of the formal mode used and its relationship to the content of the work. DA - 1984 DB - OpenUCT DP - University of Cape Town KW - Fine Art LK - https://open.uct.ac.za PY - 1984 T1 - An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface TI - An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface UR - http://hdl.handle.net/11427/40503 ER - | en_ZA |
dc.identifier.uri | http://hdl.handle.net/11427/40503 | |
dc.identifier.vancouvercitation | Siebert K. An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface. []. ,Faculty of Humanities ,Michaelis School of Fine Art, 1984 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/40503 | en_ZA |
dc.language.rfc3066 | eng | |
dc.publisher.department | Michaelis School of Fine Art | |
dc.publisher.faculty | Faculty of Humanities | |
dc.subject | Fine Art | |
dc.title | An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface | |
dc.type | Thesis / Dissertation | |
dc.type.qualificationlevel | Masters | |
dc.type.qualificationlevel | MFA |