A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space.
| dc.contributor.author | Pienaar, Sarah Johanna | |
| dc.date.accessioned | 2024-06-28T13:01:59Z | |
| dc.date.available | 2024-06-28T13:01:59Z | |
| dc.date.issued | 1976 | |
| dc.date.updated | 2024-06-24T12:29:59Z | |
| dc.description.abstract | The study rests on a fundamental premise: The artist, in his art, reflects the consciousness of his time. "Man of a given time and place, in creating the ideological and artistic systems by which he has expressed himself, has projected into his philosophy, his literature, and his art a reflection of t he same fundamental preoccupations. These preoccupations, which may be expressed in various media, are those of his time and of its material, moral, economic, social and spiritual circumstances. The genius of the individual serves only to give a more universal and eternal significance to them through the amplitude 1 and quality of his vision." | |
| dc.identifier.apacitation | Pienaar, S. J. (1976). <i>A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space</i>. (). ,Faculty of Humanities ,College of Music. Retrieved from http://hdl.handle.net/11427/40070 | en_ZA |
| dc.identifier.chicagocitation | Pienaar, Sarah Johanna. <i>"A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space."</i> ., ,Faculty of Humanities ,College of Music, 1976. http://hdl.handle.net/11427/40070 | en_ZA |
| dc.identifier.citation | Pienaar, S.J. 1976. A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space. . ,Faculty of Humanities ,College of Music. http://hdl.handle.net/11427/40070 | en_ZA |
| dc.identifier.ris | TY - Thesis / Dissertation AU - Pienaar, Sarah Johanna AB - The study rests on a fundamental premise: The artist, in his art, reflects the consciousness of his time. "Man of a given time and place, in creating the ideological and artistic systems by which he has expressed himself, has projected into his philosophy, his literature, and his art a reflection of t he same fundamental preoccupations. These preoccupations, which may be expressed in various media, are those of his time and of its material, moral, economic, social and spiritual circumstances. The genius of the individual serves only to give a more universal and eternal significance to them through the amplitude 1 and quality of his vision." DA - 1976 DB - OpenUCT DP - University of Cape Town KW - Music LK - https://open.uct.ac.za PY - 1976 T1 - A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space TI - A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space UR - http://hdl.handle.net/11427/40070 ER - | en_ZA |
| dc.identifier.uri | http://hdl.handle.net/11427/40070 | |
| dc.identifier.vancouvercitation | Pienaar SJ. A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space. []. ,Faculty of Humanities ,College of Music, 1976 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/40070 | en_ZA |
| dc.language.rfc3066 | eng | |
| dc.publisher.department | College of Music | |
| dc.publisher.faculty | Faculty of Humanities | |
| dc.subject | Music | |
| dc.title | A study of time in twentieth-century musical ritual: a musico-philosophical development from Debussy (through Stravinsky, Webern and Messiaen) to Stockhausen, in the utilization of musical time and ecstatic musical involvement for the purpose of transcending the consciousness of Real Time and Space. | |
| dc.type | Thesis / Dissertation | |
| dc.type.qualificationlevel | Masters | |
| dc.type.qualificationlevel | Masters |