Portable Heritage: perspectives on white mobility in post-apartheid South Africa

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dc.contributor.advisorCampbell, Kurt
dc.contributor.advisorvan der Schijff
dc.contributor.authorLe Riche, Pierre Henri
dc.date.accessioned2024-03-11T13:29:58Z
dc.date.available2024-03-11T13:29:58Z
dc.date.issued2017
dc.date.updated2024-03-11T12:07:27Z
dc.description.abstractThis written component partially fulfils the special requirements for the Master of Fine Arts degree as specified by the University of Cape Town. The content of this document, which is intentionally concise, offers contextualisation and supplementation to my visual research. It must be stressed that this research is not the primary object offered for examination; that important role lies with my body of artworks that work in conjunction with the document. The goal of this document is to locate my practice within a broader field of artistic research, which is achieved through the consideration of relevant theorists and artists working within the same scope as I do. The visual material I reference in this document are catalogued using a captioning system that states the name of the artist or photographer, the title of the work, medium and date of completion, whilst throughout the rest of the document the Harvard (author - date) system is employed as a means of reference.
dc.identifier.apacitationLe Riche, P. H. (2017). <i>Portable Heritage: perspectives on white mobility in post-apartheid South Africa</i>. (). ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/39232en_ZA
dc.identifier.chicagocitationLe Riche, Pierre Henri. <i>"Portable Heritage: perspectives on white mobility in post-apartheid South Africa."</i> ., ,Faculty of Humanities ,Michaelis School of Fine Art, 2017. http://hdl.handle.net/11427/39232en_ZA
dc.identifier.citationLe Riche, P.H. 2017. Portable Heritage: perspectives on white mobility in post-apartheid South Africa. . ,Faculty of Humanities ,Michaelis School of Fine Art. http://hdl.handle.net/11427/39232en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Le Riche, Pierre Henri AB - This written component partially fulfils the special requirements for the Master of Fine Arts degree as specified by the University of Cape Town. The content of this document, which is intentionally concise, offers contextualisation and supplementation to my visual research. It must be stressed that this research is not the primary object offered for examination; that important role lies with my body of artworks that work in conjunction with the document. The goal of this document is to locate my practice within a broader field of artistic research, which is achieved through the consideration of relevant theorists and artists working within the same scope as I do. The visual material I reference in this document are catalogued using a captioning system that states the name of the artist or photographer, the title of the work, medium and date of completion, whilst throughout the rest of the document the Harvard (author - date) system is employed as a means of reference. DA - 2017 DB - OpenUCT DP - University of Cape Town KW - Fine Arts LK - https://open.uct.ac.za PY - 2017 T1 - ETD: Portable Heritage: perspectives on white mobility in post-apartheid South Africa TI - ETD: Portable Heritage: perspectives on white mobility in post-apartheid South Africa UR - http://hdl.handle.net/11427/39232 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/39232
dc.identifier.vancouvercitationLe Riche PH. Portable Heritage: perspectives on white mobility in post-apartheid South Africa. []. ,Faculty of Humanities ,Michaelis School of Fine Art, 2017 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/39232en_ZA
dc.language.rfc3066eng
dc.publisher.departmentMichaelis School of Fine Art
dc.publisher.facultyFaculty of Humanities
dc.subjectFine Arts
dc.titlePortable Heritage: perspectives on white mobility in post-apartheid South Africa
dc.typeThesis / Dissertation
dc.type.qualificationlevelMasters
dc.type.qualificationlevelMA
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