The CRC Report 2011: DALRO licensing agreements
dc.contributor.author | Shaikh, Shihaam | en_ZA |
dc.date.accessioned | 2014-07-24T10:15:26Z | |
dc.date.available | 2014-07-24T10:15:26Z | |
dc.date.issued | 2012-09 | en_ZA |
dc.description.abstract | After the release of the Copyright Review Commission Report a few days ago various articles have spoken of the recommendations made by the commission particularly the call to amend the Copyright Act to include provisions that take into account various technological advancements. I fully support this as I have shown elsewhere on this site the contrasts between the technological developments and legislative developments in copyright law in South Africa. On skimming over the paper, one aspect of the report which immediately stood out for me was the section on the DALRO (The Dramatic, Artistic and Literary Rights Organisation) licensing agreements with tertiary institutions, especially the assumptions made by DALRO as to the content of the rights publishers have over specific works. | en_ZA |
dc.identifier.apacitation | 2012. <i>The CRC Report 2011: DALRO licensing agreements.</i> http://hdl.handle.net/11427/2388 | en_ZA |
dc.identifier.chicagocitation | . 2012. <i>The CRC Report 2011: DALRO licensing agreements.</i> http://hdl.handle.net/11427/2388 | en_ZA |
dc.identifier.citation | Shaikh, S. 2012-09. The CRC Report 2011: DALRO licensing agreements. Other. University of Cape Town. OpenUCT. | en_ZA |
dc.identifier.ris | TY - Other AU - Shaikh, Shihaam AB - After the release of the Copyright Review Commission Report a few days ago various articles have spoken of the recommendations made by the commission particularly the call to amend the Copyright Act to include provisions that take into account various technological advancements. I fully support this as I have shown elsewhere on this site the contrasts between the technological developments and legislative developments in copyright law in South Africa. On skimming over the paper, one aspect of the report which immediately stood out for me was the section on the DALRO (The Dramatic, Artistic and Literary Rights Organisation) licensing agreements with tertiary institutions, especially the assumptions made by DALRO as to the content of the rights publishers have over specific works. DA - 2012-09 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town. OpenUCT PY - 2012 T1 - The CRC Report 2011: DALRO licensing agreements TI - The CRC Report 2011: DALRO licensing agreements UR - http://hdl.handle.net/11427/2388 ER - | en_ZA |
dc.identifier.uri | http://hdl.handle.net/11427/2388 | |
dc.identifier.vancouvercitation | . 2012. <i>The CRC Report 2011: DALRO licensing agreements.</i> http://hdl.handle.net/11427/2388 | en_ZA |
dc.language.iso | eng | en_ZA |
dc.publisher.institution | University of Cape Town. OpenUCT | en_ZA |
dc.publisher.institution | University of Cape Town | |
dc.rights | Attribution-ShareAlike 2.5 South Africa | en_ZA |
dc.rights.holder | © The author, 2012. | en_ZA |
dc.rights.uri | http://creativecommons.org/licenses/by-sa/2.5/za/ | en_ZA |
dc.title | The CRC Report 2011: DALRO licensing agreements | en_ZA |
dc.type | Other | en_ZA |
uct.type.filetype | Text | |
uct.type.filetype | Image | |
uct.type.publication | Teaching and Learning | en_ZA |
uct.type.resource | Other | en_ZA |
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