Plan B, a gathering of strangers (or) this is not working.

dc.contributor.advisorSearle, Berni
dc.contributor.advisorLambrecht, Andrew
dc.contributor.authorHutton, Dean
dc.date.accessioned2024-03-11T13:30:07Z
dc.date.available2024-03-11T13:30:07Z
dc.date.issued2018
dc.date.updated2024-03-11T12:17:57Z
dc.description.abstractThe text and images that follow queers2 a dissertation submitted in fulfilment of the requirements of the award of a degree of Master of Fine Art at Michaelis School of Fine Art, as a cohort of the Institute of Creative Arts. The student explores methodologies of Self-Writing, Performance (studies) as Research; Technology as self-reflection and Radical Sharing; considers the Phenomenologies of Whiteness, embodied power and performing the transgressive white body to contribute to understandings of how the white body performs visuality, hypervisibility, reproduction3, considers its relationship to surveillance and embraces becoming monster. The design of this dissertation is an engagement with the current expectations of an object of academic enquiry – the publication bridges disciplines of Fine Art, Media and Performance studies. Treat this as a notebook, a work-in-progress, in transition – an object of research. Add your own notes, doodles and comments. Share it.
dc.identifier.apacitationHutton, D. (2018). <i>Plan B, a gathering of strangers (or) this is not working</i>. (). ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/39234en_ZA
dc.identifier.chicagocitationHutton, Dean. <i>"Plan B, a gathering of strangers (or) this is not working."</i> ., ,Faculty of Humanities ,Michaelis School of Fine Art, 2018. http://hdl.handle.net/11427/39234en_ZA
dc.identifier.citationHutton, D. 2018. Plan B, a gathering of strangers (or) this is not working. . ,Faculty of Humanities ,Michaelis School of Fine Art. http://hdl.handle.net/11427/39234en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Hutton, Dean AB - The text and images that follow queers2 a dissertation submitted in fulfilment of the requirements of the award of a degree of Master of Fine Art at Michaelis School of Fine Art, as a cohort of the Institute of Creative Arts. The student explores methodologies of Self-Writing, Performance (studies) as Research; Technology as self-reflection and Radical Sharing; considers the Phenomenologies of Whiteness, embodied power and performing the transgressive white body to contribute to understandings of how the white body performs visuality, hypervisibility, reproduction3, considers its relationship to surveillance and embraces becoming monster. The design of this dissertation is an engagement with the current expectations of an object of academic enquiry – the publication bridges disciplines of Fine Art, Media and Performance studies. Treat this as a notebook, a work-in-progress, in transition – an object of research. Add your own notes, doodles and comments. Share it. DA - 2018 DB - OpenUCT DP - University of Cape Town KW - Fine Arts LK - https://open.uct.ac.za PY - 2018 T1 - ETD: Plan B, a gathering of strangers (or) this is not working TI - ETD: Plan B, a gathering of strangers (or) this is not working UR - http://hdl.handle.net/11427/39234 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/39234
dc.identifier.vancouvercitationHutton D. Plan B, a gathering of strangers (or) this is not working. []. ,Faculty of Humanities ,Michaelis School of Fine Art, 2018 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/39234en_ZA
dc.language.rfc3066eng
dc.publisher.departmentMichaelis School of Fine Art
dc.publisher.facultyFaculty of Humanities
dc.subjectFine Arts
dc.titlePlan B, a gathering of strangers (or) this is not working.
dc.typeThesis / Dissertation
dc.type.qualificationlevelMasters
dc.type.qualificationlevelMA
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