Stock

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dc.contributor.advisorAlexander, Janeen_ZA
dc.contributor.authorPrice, Catherine Jenniferen_ZA
dc.date.accessioned2014-12-30T19:55:00Z
dc.date.available2014-12-30T19:55:00Z
dc.date.issued2010en_ZA
dc.descriptionIncludes bibliographical references.en_ZA
dc.description.abstractThe practical component of this research takes the form of a sculptural interpretation of comprises a body of creative work supported by a theoretical discussion. This research is an observation and manifestation of my interest in industrial animal farming practices. I have examined conditions and practices on factory farms, marketing and the consumer, my own traumatic experiences at various factory farms and processing plants, and the ways in which the production of was a means of dealing with this trauma, my experience of the manufacture of animal products. The document selectively identifies aspects of trauma relevant to this project, examples of art in a historical context with particular reference to Minimalism, and the capacity for minimal form to express trauma in the broader social context. This is followed by an analysis of my own work.en_ZA
dc.identifier.apacitationPrice, C. J. (2010). <i>Stock</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/10652en_ZA
dc.identifier.chicagocitationPrice, Catherine Jennifer. <i>"Stock."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2010. http://hdl.handle.net/11427/10652en_ZA
dc.identifier.citationPrice, C. 2010. Stock. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Price, Catherine Jennifer AB - The practical component of this research takes the form of a sculptural interpretation of comprises a body of creative work supported by a theoretical discussion. This research is an observation and manifestation of my interest in industrial animal farming practices. I have examined conditions and practices on factory farms, marketing and the consumer, my own traumatic experiences at various factory farms and processing plants, and the ways in which the production of was a means of dealing with this trauma, my experience of the manufacture of animal products. The document selectively identifies aspects of trauma relevant to this project, examples of art in a historical context with particular reference to Minimalism, and the capacity for minimal form to express trauma in the broader social context. This is followed by an analysis of my own work. DA - 2010 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2010 T1 - Stock TI - Stock UR - http://hdl.handle.net/11427/10652 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/10652
dc.identifier.vancouvercitationPrice CJ. Stock. [Thesis]. University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2010 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/10652en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentMichaelis School of Fine Arten_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.titleStocken_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMAen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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