The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present

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dc.contributor.advisorNixon, Michaelen_ZA
dc.contributor.authorTveitan, Ragnhild Vreimen_ZA
dc.date.accessioned2014-10-06T11:32:01Z
dc.date.available2014-10-06T11:32:01Z
dc.date.issued2007en_ZA
dc.descriptionIncludes bibliographical references (leaves 166-186).en_ZA
dc.description.abstractThis research project investigates the perception of Norwegian-South African musical interactions. It is an in depth study of four recent cases of musical collaboration between Norwegian and South African musicians with an emphasis on the Norwegian musicians perception of "the Other". Furthermore, it is an investigation into the fusion of music within these collaborations by assessing the discernible "South African flavour" and "Norwegian flavour" and an analysis of how they fuse.en_ZA
dc.identifier.apacitationTveitan, R. V. (2007). <i>The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,College of Music. Retrieved from http://hdl.handle.net/11427/8146en_ZA
dc.identifier.chicagocitationTveitan, Ragnhild Vreim. <i>"The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present."</i> Thesis., University of Cape Town ,Faculty of Humanities ,College of Music, 2007. http://hdl.handle.net/11427/8146en_ZA
dc.identifier.citationTveitan, R. 2007. The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Tveitan, Ragnhild Vreim AB - This research project investigates the perception of Norwegian-South African musical interactions. It is an in depth study of four recent cases of musical collaboration between Norwegian and South African musicians with an emphasis on the Norwegian musicians perception of "the Other". Furthermore, it is an investigation into the fusion of music within these collaborations by assessing the discernible "South African flavour" and "Norwegian flavour" and an analysis of how they fuse. DA - 2007 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2007 T1 - The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present TI - The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present UR - http://hdl.handle.net/11427/8146 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/8146
dc.identifier.vancouvercitationTveitan RV. The reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the present. [Thesis]. University of Cape Town ,Faculty of Humanities ,College of Music, 2007 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/8146en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentCollege of Musicen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherMusicen_ZA
dc.titleThe reception of Norwegian-South African musical interactions : a study of selected musical collaborations from the 19th century to the presenten_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMMusen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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