'n Vergelykende ondersoek na die ooreenkomstige beeldgebruik in "Groot ode" van N.P. van Wyk Louw en Die Heengaanrefrein van Wilma Stockenström

Simple item page
dc.contributor.advisorSnyman, Henningen_ZA
dc.contributor.authorBoshoff, Ronellen_ZA
dc.date.accessioned2016-10-27T14:23:37Z
dc.date.available2016-10-27T14:23:37Z
dc.date.issued1991en_ZA
dc.descriptionBibliography: pages 157-163.en_ZA
dc.description.abstractThis dissertation examines the corresponding symbols and imagery in N. P. van Wyk Louw's "Groot Ode" and DIE HEENGAANREFREIN by Wilma Stockenström. The poetic approach in both works is similar and comparable, because both poets are concerned with mankind's questing nature. In both texts man is portrayed as searching for omnipotence through omniscience. A section of the analysis is devoted to extra-textual influences on the two works. Examples of these are: genre expectations, poetic influence and the fact DIE HEENGAANREFREIN was commissioned for a special celebration. Previous analyses are also discussed briefly. The two main sections of this dissertation are dedicated to analysing the parallel (1) images and (2) motifs. The similarities in the application of mirror and colour imagery are but two examples of corresponding threads in both works. Motifs are discussed as the organic entities of a text: they develop in the text and are not the stagnant components that images are. Themes of evolution and of the apocalypse are examples of motifs covered. Language as motif is very important in this analysis, because it is not only an intra-textual occurrence, but also becomes an extra-textual determination. The last section is concerned with the role that language plays in ordering the chaos of the universe. The anxiety that the poet experiences as ephebe/successor to God and to earlier poets is also briefly discussed.en_ZA
dc.identifier.apacitationBoshoff, R. (1991). <i>'n Vergelykende ondersoek na die ooreenkomstige beeldgebruik in "Groot ode" van N.P. van Wyk Louw en Die Heengaanrefrein van Wilma Stockenström</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Afrikaans and Netherlandic Studies. Retrieved from http://hdl.handle.net/11427/22329en_ZA
dc.identifier.chicagocitationBoshoff, Ronell. <i>"'n Vergelykende ondersoek na die ooreenkomstige beeldgebruik in "Groot ode" van N.P. van Wyk Louw en Die Heengaanrefrein van Wilma Stockenström."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Afrikaans and Netherlandic Studies, 1991. http://hdl.handle.net/11427/22329en_ZA
dc.identifier.citationBoshoff, R. 1991. 'n Vergelykende ondersoek na die ooreenkomstige beeldgebruik in "Groot ode" van N.P. van Wyk Louw en Die Heengaanrefrein van Wilma Stockenström. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Boshoff, Ronell AB - This dissertation examines the corresponding symbols and imagery in N. P. van Wyk Louw's "Groot Ode" and DIE HEENGAANREFREIN by Wilma Stockenström. The poetic approach in both works is similar and comparable, because both poets are concerned with mankind's questing nature. In both texts man is portrayed as searching for omnipotence through omniscience. A section of the analysis is devoted to extra-textual influences on the two works. Examples of these are: genre expectations, poetic influence and the fact DIE HEENGAANREFREIN was commissioned for a special celebration. Previous analyses are also discussed briefly. The two main sections of this dissertation are dedicated to analysing the parallel (1) images and (2) motifs. The similarities in the application of mirror and colour imagery are but two examples of corresponding threads in both works. Motifs are discussed as the organic entities of a text: they develop in the text and are not the stagnant components that images are. Themes of evolution and of the apocalypse are examples of motifs covered. Language as motif is very important in this analysis, because it is not only an intra-textual occurrence, but also becomes an extra-textual determination. The last section is concerned with the role that language plays in ordering the chaos of the universe. The anxiety that the poet experiences as ephebe/successor to God and to earlier poets is also briefly discussed. DA - 1991 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 1991 T1 - 'n Vergelykende ondersoek na die ooreenkomstige beeldgebruik in "Groot ode" van N.P. van Wyk Louw en Die Heengaanrefrein van Wilma Stockenström TI - 'n Vergelykende ondersoek na die ooreenkomstige beeldgebruik in "Groot ode" van N.P. van Wyk Louw en Die Heengaanrefrein van Wilma Stockenström UR - http://hdl.handle.net/11427/22329 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/22329
dc.identifier.vancouvercitationBoshoff R. 'n Vergelykende ondersoek na die ooreenkomstige beeldgebruik in "Groot ode" van N.P. van Wyk Louw en Die Heengaanrefrein van Wilma Stockenström. [Thesis]. University of Cape Town ,Faculty of Humanities ,Afrikaans and Netherlandic Studies, 1991 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/22329en_ZA
dc.language.isoafren_ZA
dc.publisher.departmentAfrikaans and Netherlandic Studiesen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherAfrikaans Language and Literatureen_ZA
dc.title'n Vergelykende ondersoek na die ooreenkomstige beeldgebruik in "Groot ode" van N.P. van Wyk Louw en Die Heengaanrefrein van Wilma Stockenströmen_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMAen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
Files
Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
thesis_hum_1991_boshoff_ronell.pdf
Size:
2.51 MB
Format:
Adobe Portable Document Format
Description:
Download
Collections
Masters