Citizenship without representation? Blackface, misogyny and parody in Die Antwoord, Lupé Fiasco and Angel Haze

Haupt, Adam

Citizenship without representation? Blackface, misogyny and parody in Die Antwoord, Lupé Fiasco and Angel Haze

Journal Article

2013

Journal Title

Communicatio: South African Journal for Communication Theory and Research

Link to Journal

http://www.tandfonline.com/toc/rcsa20/current

Publisher

University of Cape Town

Department

Centre for Film and Media Studies

Faculty

Faculty of Humanities

Abstract

This article explores Die Antwoord's blackface politics to question whether the concept of citizenship has any value in a context where marginal artists’ attempts to represent themselves on their own terms are overshadowed by the global reach of corporate entertainment media monopolies, and by the legacy of racism and sexism in the music industry. It analyses the work of Die Antwoord, Lupé Fiasco and Angel Haze to contend that global capital undermines the nation-state's ability to secure its citizens’ economic or cultural interests. Using Michael Hardt and Antonio Negri's concept of Empire, the author argues that corporate globalisation undermines the sovereignty of the nation-state, effectively compromising democratic ideals. The global appeal of Die Antwoord tells us a great deal about the extent to which diverse cultural expressions are marginalised, as well as the extent to which colonial conceptions of race, gender and class endear in public discourse – specifically in light of the continuing appeal of blackface in the mainstream entertainment industry.