Exploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security hut

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dc.contributor.advisorPather, Jayen_ZA
dc.contributor.authorPostlethwaite, Rosaen_ZA
dc.date.accessioned2015-05-28T04:16:59Z
dc.date.available2015-05-28T04:16:59Z
dc.date.issued2014en_ZA
dc.descriptionIncludes bibliographical references.en_ZA
dc.description.abstractThis paper presents: The Frieze, The Anatomy Lecture Theatre and The Security Hut as outcomes of my practice-based research project into strategies of making autotopographical performance. Departing from Gonzalez’s theory of autotopography (1995), which focuses on objects belonging to individuals that are seen to signify their identity, and drawing on Heddon’s (2002; 2008), Bal’s (2002) and Arlander’s (2012) subsequent discussions around the term, I unpack the process of making live art performances in response to a site. During the process of making I examined the relationships between the material landscape, my processes of memory and my sense-of-self.en_ZA
dc.identifier.apacitationPostlethwaite, R. (2014). <i>Exploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security hut</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Department of Drama. Retrieved from http://hdl.handle.net/11427/12963en_ZA
dc.identifier.chicagocitationPostlethwaite, Rosa. <i>"Exploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security hut."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Department of Drama, 2014. http://hdl.handle.net/11427/12963en_ZA
dc.identifier.citationPostlethwaite, R. 2014. Exploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security hut. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Postlethwaite, Rosa AB - This paper presents: The Frieze, The Anatomy Lecture Theatre and The Security Hut as outcomes of my practice-based research project into strategies of making autotopographical performance. Departing from Gonzalez’s theory of autotopography (1995), which focuses on objects belonging to individuals that are seen to signify their identity, and drawing on Heddon’s (2002; 2008), Bal’s (2002) and Arlander’s (2012) subsequent discussions around the term, I unpack the process of making live art performances in response to a site. During the process of making I examined the relationships between the material landscape, my processes of memory and my sense-of-self. DA - 2014 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2014 T1 - Exploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security hut TI - Exploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security hut UR - http://hdl.handle.net/11427/12963 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/12963
dc.identifier.vancouvercitationPostlethwaite R. Exploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security hut. [Thesis]. University of Cape Town ,Faculty of Humanities ,Department of Drama, 2014 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/12963en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentDepartment of Dramaen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherTheatre and Performanceen_ZA
dc.titleExploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security huten_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMAen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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