Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film
| dc.contributor.advisor | Van Vuuren, Lauren | en_ZA |
| dc.contributor.author | Drummer, Aurora | en_ZA |
| dc.date.accessioned | 2015-05-26T14:18:08Z | |
| dc.date.available | 2015-05-26T14:18:08Z | |
| dc.date.issued | 2014 | en_ZA |
| dc.description | Includes bibliographical references. | en_ZA |
| dc.description.abstract | This dissertation takes theories of voice-over narration that are typically applied to fiction film and applies them to documentary film. It looks at issues of representation and truth values in the documentary films of Werner Herzog, John Marshall, Luis Buñuel and Karin Jurshcick. It argues that the choices filmmakers make regarding types of voice-over affect these issues and are therefore worthy of study. It argues that the unconventional story-weavers in documentaries like those of Marshall and Herzog‘s can inadvertently marginalise their subjects. It looks at Buñuel‘s Land Without Bread as an extreme example of an (intentionally) manipulative narrator. It suggests that a voice-over narrator that follows Chion‘s conceptualisation of the complete acousmêtre encourages audiences to engage on a more critical level. Finally, it argues that even a seemingly traditional narrator as seen in Jurshick‘sIt Should Have Been Nice After That can be unconventional and reveal an - ecstatic truth. | en_ZA |
| dc.identifier.apacitation | Drummer, A. (2014). <i>Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Centre for Film and Media Studies. Retrieved from http://hdl.handle.net/11427/12877 | en_ZA |
| dc.identifier.chicagocitation | Drummer, Aurora. <i>"Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Centre for Film and Media Studies, 2014. http://hdl.handle.net/11427/12877 | en_ZA |
| dc.identifier.citation | Drummer, A. 2014. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. University of Cape Town. | en_ZA |
| dc.identifier.ris | TY - Thesis / Dissertation AU - Drummer, Aurora AB - This dissertation takes theories of voice-over narration that are typically applied to fiction film and applies them to documentary film. It looks at issues of representation and truth values in the documentary films of Werner Herzog, John Marshall, Luis Buñuel and Karin Jurshcick. It argues that the choices filmmakers make regarding types of voice-over affect these issues and are therefore worthy of study. It argues that the unconventional story-weavers in documentaries like those of Marshall and Herzog‘s can inadvertently marginalise their subjects. It looks at Buñuel‘s Land Without Bread as an extreme example of an (intentionally) manipulative narrator. It suggests that a voice-over narrator that follows Chion‘s conceptualisation of the complete acousmêtre encourages audiences to engage on a more critical level. Finally, it argues that even a seemingly traditional narrator as seen in Jurshick‘sIt Should Have Been Nice After That can be unconventional and reveal an - ecstatic truth. DA - 2014 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2014 T1 - Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film TI - Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film UR - http://hdl.handle.net/11427/12877 ER - | en_ZA |
| dc.identifier.uri | http://hdl.handle.net/11427/12877 | |
| dc.identifier.vancouvercitation | Drummer A. Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film. [Thesis]. University of Cape Town ,Faculty of Humanities ,Centre for Film and Media Studies, 2014 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/12877 | en_ZA |
| dc.language.iso | eng | en_ZA |
| dc.publisher.department | Centre for Film and Media Studies | en_ZA |
| dc.publisher.faculty | Faculty of Humanities | en_ZA |
| dc.publisher.institution | University of Cape Town | |
| dc.subject.other | Film Studies | en_ZA |
| dc.title | Unconventional story-weavers and their "Ecstatic Truth": An analysis of voice-overs in documentary film | en_ZA |
| dc.type | Master Thesis | |
| dc.type.qualificationlevel | Masters | |
| dc.type.qualificationname | MA | en_ZA |
| uct.type.filetype | Text | |
| uct.type.filetype | Image | |
| uct.type.publication | Research | en_ZA |
| uct.type.resource | Thesis | en_ZA |
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