Recommencing reality : the intersection of public and private identity in performative contexts

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dc.contributor.authorYoungleson, Penelopeen_ZA
dc.date.accessioned2014-09-26T07:19:27Z
dc.date.available2014-09-26T07:19:27Z
dc.date.issued2009en_ZA
dc.descriptionIncludes bibliographical references (leaves 66-69).en_ZA
dc.description.abstractThis paper explores the convergence and cusp of colliding realities in private and public identities in performative contexts. It draws heavily on a Socio-Anthropological system of the self and fictive personas within these constructs - as well as the perscnlpersonalpersonality trichotomy inherent in self~presentation and preservation. It is written in subservience and supplication to the practical component of the University of Cape Town's MA in Theatre and Performance (Theatre Making) which is also documented and archived with supplementary photographs as part of the research. The paper addresses notions of collective identity (such as gender, sexuality, race, ethnicity, socio-economic and socio-political group clusters) with a peripheral focus on the South African, middle-class, Caucasian identity and a particular focus on a female, hetero-normative orientation (as it forms the premise of many concerns presented in the practice of the inquiry: the artist as still iife, the subject as object). It suggests a methodology towards aligning the research and its actualisation in performance through a series of installation-based works presented on and around Hiddingh Campus, Cape Town between May 2008 and September 2009. At the time of publication, the culminating project of the degree was in its pre-production phase.en_ZA
dc.identifier.apacitationYoungleson, P. (2009). <i>Recommencing reality : the intersection of public and private identity in performative contexts</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Department of Drama. Retrieved from http://hdl.handle.net/11427/7700en_ZA
dc.identifier.chicagocitationYoungleson, Penelope. <i>"Recommencing reality : the intersection of public and private identity in performative contexts."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Department of Drama, 2009. http://hdl.handle.net/11427/7700en_ZA
dc.identifier.citationYoungleson, P. 2009. Recommencing reality : the intersection of public and private identity in performative contexts. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Youngleson, Penelope AB - This paper explores the convergence and cusp of colliding realities in private and public identities in performative contexts. It draws heavily on a Socio-Anthropological system of the self and fictive personas within these constructs - as well as the perscnlpersonalpersonality trichotomy inherent in self~presentation and preservation. It is written in subservience and supplication to the practical component of the University of Cape Town's MA in Theatre and Performance (Theatre Making) which is also documented and archived with supplementary photographs as part of the research. The paper addresses notions of collective identity (such as gender, sexuality, race, ethnicity, socio-economic and socio-political group clusters) with a peripheral focus on the South African, middle-class, Caucasian identity and a particular focus on a female, hetero-normative orientation (as it forms the premise of many concerns presented in the practice of the inquiry: the artist as still iife, the subject as object). It suggests a methodology towards aligning the research and its actualisation in performance through a series of installation-based works presented on and around Hiddingh Campus, Cape Town between May 2008 and September 2009. At the time of publication, the culminating project of the degree was in its pre-production phase. DA - 2009 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2009 T1 - Recommencing reality : the intersection of public and private identity in performative contexts TI - Recommencing reality : the intersection of public and private identity in performative contexts UR - http://hdl.handle.net/11427/7700 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/7700
dc.identifier.vancouvercitationYoungleson P. Recommencing reality : the intersection of public and private identity in performative contexts. [Thesis]. University of Cape Town ,Faculty of Humanities ,Department of Drama, 2009 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/7700en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentDepartment of Dramaen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherTheatre and Performanceen_ZA
dc.titleRecommencing reality : the intersection of public and private identity in performative contextsen_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMAen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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