Violent histories: J.M. Coetzee's dusklands and Cormac McCarthy's 'blood meridian'

dc.contributor.authorPowers, Donald
dc.date.accessioned2018-01-22T11:09:01Z
dc.date.available2018-01-22T11:09:01Z
dc.date.issued2013
dc.date.updated2016-01-12T12:41:19Z
dc.description.abstractThis paper explores the resonance between Coetzee’s first novel Dusklands and McCarthy’s fifth novel Blood Meridian through a discussion of how scenes of violence are represented and rationalised in these two texts. Where Coetzee is impatient of realism and preoccupied with history as a discourse, McCarthy’s narrative seems photorealistic in its evocation of the real, but this effect is destabilised by stylised formal features and the trickster figure of Judge Holden. It is shown that in Coetzee’s egocentric protagonists the desire for detached power over others is expressed in the fantasy of an unchallenged gaze that conveys a broader anxiety about authorship and the writing of history, while in McCarthy’s text the narrator’s contextualisation of the characters’ violence against a harsh and indifferent desert environment limits psychological insight and underscores the impernanence of any historical record. Holden and Jacobus Coetzee, finally, are shown to be akin in enabling the metafictional reflections of these two novels.
dc.identifierhttp://dx.doi.org/10.1080/17533171.2012.760833
dc.identifier.apacitationPowers, D. (2013). Violent histories: J.M. Coetzee's dusklands and Cormac McCarthy's 'blood meridian'. <i>Safundi : journal of South African and American studies</i>, http://hdl.handle.net/11427/26857en_ZA
dc.identifier.chicagocitationPowers, Donald "Violent histories: J.M. Coetzee's dusklands and Cormac McCarthy's 'blood meridian'." <i>Safundi : journal of South African and American studies</i> (2013) http://hdl.handle.net/11427/26857en_ZA
dc.identifier.citationPowers, D. (2013). Violent Histories: JM Coetzee’s Dusklands and Cormac McCarthy’s Blood Meridian. Safundi, 14(1), 59-76.
dc.identifier.ris TY - Journal Article AU - Powers, Donald AB - This paper explores the resonance between Coetzee’s first novel Dusklands and McCarthy’s fifth novel Blood Meridian through a discussion of how scenes of violence are represented and rationalised in these two texts. Where Coetzee is impatient of realism and preoccupied with history as a discourse, McCarthy’s narrative seems photorealistic in its evocation of the real, but this effect is destabilised by stylised formal features and the trickster figure of Judge Holden. It is shown that in Coetzee’s egocentric protagonists the desire for detached power over others is expressed in the fantasy of an unchallenged gaze that conveys a broader anxiety about authorship and the writing of history, while in McCarthy’s text the narrator’s contextualisation of the characters’ violence against a harsh and indifferent desert environment limits psychological insight and underscores the impernanence of any historical record. Holden and Jacobus Coetzee, finally, are shown to be akin in enabling the metafictional reflections of these two novels. DA - 2013 DB - OpenUCT DP - University of Cape Town J1 - Safundi : journal of South African and American studies LK - https://open.uct.ac.za PB - University of Cape Town PY - 2013 T1 - Violent histories: J.M. Coetzee's dusklands and Cormac McCarthy's 'blood meridian' TI - Violent histories: J.M. Coetzee's dusklands and Cormac McCarthy's 'blood meridian' UR - http://hdl.handle.net/11427/26857 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/26857
dc.identifier.vancouvercitationPowers D. Violent histories: J.M. Coetzee's dusklands and Cormac McCarthy's 'blood meridian'. Safundi : journal of South African and American studies. 2013; http://hdl.handle.net/11427/26857.en_ZA
dc.language.isoeng
dc.publisher.departmentDepartment of English Language and Literatureen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.sourceSafundi : journal of South African and American studies
dc.source.urihttp://www.tandfonline.com/loi/rsaf20
dc.titleViolent histories: J.M. Coetzee's dusklands and Cormac McCarthy's 'blood meridian'
dc.typeJournal Article
uct.type.filetypeText
uct.type.filetypeImage
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