Hambo buza unyoko: on future Real conditionals

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dc.contributor.advisorMakhubu, Nomusa
dc.contributor.advisorMahashe, George
dc.contributor.authorMaduna, Lerato
dc.date.accessioned2025-02-27T11:32:37Z
dc.date.available2025-02-27T11:32:37Z
dc.date.issued2024
dc.date.updated2025-02-27T09:38:40Z
dc.description.abstractDrawing from the photographic archives that belonged to my mother Lizzie Maduna (née Moloi), my late grandmother Elizabeth Masesi Moloi (née Dlamini), my late great aunt, Goguse Letta Ntshangase (née Moloi), I re-envision how the women in my family performed futurity. Although these women lived through colonial and apartheid oppression, these photographic archives show how they created liberatory worlds despite the violence they lived through. My creative work surfaces these archives as a matriarchive, which I argue were created in resistance to the oppressive and dehumanising conditions as a performance of future real conditionals.
dc.identifier.apacitationMaduna, L. (2024). <i>Hambo buza unyoko: on future Real conditionals</i>. (). University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/41033en_ZA
dc.identifier.chicagocitationMaduna, Lerato. <i>"Hambo buza unyoko: on future Real conditionals."</i> ., University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2024. http://hdl.handle.net/11427/41033en_ZA
dc.identifier.citationMaduna, L. 2024. Hambo buza unyoko: on future Real conditionals. . University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art. http://hdl.handle.net/11427/41033en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Maduna, Lerato AB - Drawing from the photographic archives that belonged to my mother Lizzie Maduna (née Moloi), my late grandmother Elizabeth Masesi Moloi (née Dlamini), my late great aunt, Goguse Letta Ntshangase (née Moloi), I re-envision how the women in my family performed futurity. Although these women lived through colonial and apartheid oppression, these photographic archives show how they created liberatory worlds despite the violence they lived through. My creative work surfaces these archives as a matriarchive, which I argue were created in resistance to the oppressive and dehumanising conditions as a performance of future real conditionals. DA - 2024 DB - OpenUCT DP - University of Cape Town KW - photographic archives KW - dehumanising conditions KW - culture KW - family experience LK - https://open.uct.ac.za PB - University of Cape Town PY - 2024 T1 - Hambo buza unyoko: on future Real conditionals TI - Hambo buza unyoko: on future Real conditionals UR - http://hdl.handle.net/11427/41033 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/41033
dc.identifier.vancouvercitationMaduna L. Hambo buza unyoko: on future Real conditionals. []. University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2024 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/41033en_ZA
dc.language.rfc3066eng
dc.publisher.departmentMichaelis School of Fine Art
dc.publisher.facultyFaculty of Humanities
dc.publisher.institutionUniversity of Cape Town
dc.subjectphotographic archives
dc.subjectdehumanising conditions
dc.subjectculture
dc.subjectfamily experience
dc.titleHambo buza unyoko: on future Real conditionals
dc.typeThesis / Dissertation
dc.type.qualificationlevelMasters
dc.type.qualificationlevelMA
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