Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection
| dc.contributor.advisor | Higgs, Richard | |
| dc.contributor.author | Schäfer, Sarah | |
| dc.date.accessioned | 2024-07-23T06:57:57Z | |
| dc.date.available | 2024-07-23T06:57:57Z | |
| dc.date.issued | 2017 | |
| dc.date.updated | 2024-07-23T06:56:12Z | |
| dc.description.abstract | This study uses the Owl House in Nieu Bethesda as an exemplar for interrogating the possibilities of digital curation in South Africa. It draws on a conceptual framework encompassing the digital humanities, museology, Baudrillard's notion of simulation, as well as contemporary research and similar studies. Digital curation of a Visionary Environment, which falls into the ambit of Outsider Art, is a largely unprecedented practice, especially in the context of South Africa. This qualitative study is situated in a social constructivist paradigm and uses elements of a phenomenological approach. As an instance of qualitative research, at the heart of this study is an emphasis on understanding how people construct their realities and interpret their experiences. Interpreting and viewing digital artefacts outside of a museum are not the same as viewing them in real life. This inevitably changes the way that someone experiences and interprets a collection. The challenge of digitising a museum is thus to understand what this transformation process (physical to digital) does to the integrity of the original collection. Digitisation within museums offers so many possibilities, especially in the context of sitespecific museums that are largely inaccessible like the Owl House. A digitally curated collection of high quality digital media can allow for a museum like the Owl House to be visited digitally, and moreover, that visitors can interpret a museum experience that is rich and layered. The data for this study was collected from interviews with participants who engaged with a digitised sub-collection of the Owl House - The Long Bedroom Collection, and after an initial presentation and analysis of the data, emerging themes were discussed | |
| dc.identifier.apacitation | Schäfer, S. (2017). <i>Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection</i>. (). ,Faculty of Humanities ,Department of Knowledge and Information Stewardship. Retrieved from http://hdl.handle.net/11427/40425 | en_ZA |
| dc.identifier.chicagocitation | Schäfer, Sarah. <i>"Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection."</i> ., ,Faculty of Humanities ,Department of Knowledge and Information Stewardship, 2017. http://hdl.handle.net/11427/40425 | en_ZA |
| dc.identifier.citation | Schäfer, S. 2017. Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection. . ,Faculty of Humanities ,Department of Knowledge and Information Stewardship. http://hdl.handle.net/11427/40425 | en_ZA |
| dc.identifier.ris | TY - Thesis / Dissertation AU - Schäfer, Sarah AB - This study uses the Owl House in Nieu Bethesda as an exemplar for interrogating the possibilities of digital curation in South Africa. It draws on a conceptual framework encompassing the digital humanities, museology, Baudrillard's notion of simulation, as well as contemporary research and similar studies. Digital curation of a Visionary Environment, which falls into the ambit of Outsider Art, is a largely unprecedented practice, especially in the context of South Africa. This qualitative study is situated in a social constructivist paradigm and uses elements of a phenomenological approach. As an instance of qualitative research, at the heart of this study is an emphasis on understanding how people construct their realities and interpret their experiences. Interpreting and viewing digital artefacts outside of a museum are not the same as viewing them in real life. This inevitably changes the way that someone experiences and interprets a collection. The challenge of digitising a museum is thus to understand what this transformation process (physical to digital) does to the integrity of the original collection. Digitisation within museums offers so many possibilities, especially in the context of sitespecific museums that are largely inaccessible like the Owl House. A digitally curated collection of high quality digital media can allow for a museum like the Owl House to be visited digitally, and moreover, that visitors can interpret a museum experience that is rich and layered. The data for this study was collected from interviews with participants who engaged with a digitised sub-collection of the Owl House - The Long Bedroom Collection, and after an initial presentation and analysis of the data, emerging themes were discussed DA - 2017 DB - OpenUCT DP - University of Cape Town KW - Library and Information Studies LK - https://open.uct.ac.za PY - 2017 T1 - Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection TI - Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection UR - http://hdl.handle.net/11427/40425 ER - | en_ZA |
| dc.identifier.uri | http://hdl.handle.net/11427/40425 | |
| dc.identifier.vancouvercitation | Schäfer S. Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection. []. ,Faculty of Humanities ,Department of Knowledge and Information Stewardship, 2017 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/40425 | en_ZA |
| dc.language.rfc3066 | eng | |
| dc.publisher.department | Department of Knowledge and Information Stewardship | |
| dc.publisher.faculty | Faculty of Humanities | |
| dc.subject | Library and Information Studies | |
| dc.title | Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection | |
| dc.type | Thesis / Dissertation | |
| dc.type.qualificationlevel | Masters | |
| dc.type.qualificationlevel | MPhil |