The cross-cultural camera of Akira Kurosawa

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dc.contributor.advisorMarx, Lesleyen_ZA
dc.contributor.authorMolapo, Mpakien_ZA
dc.date.accessioned2015-01-02T09:19:16Z
dc.date.available2015-01-02T09:19:16Z
dc.date.issued2003en_ZA
dc.descriptionBibliography: leaves 110-120.en_ZA
dc.description.abstractThis minor dissertation is undertaken to examine the cross-cultural similarities that are revealed by motion pictures through analyzing the work of Akira Kurosawa and contrasting it with selective mainstream cinema texts. Kurosawa is a critical case in point due to his welding of Occidental and Japanese ideas into his films, and his origin from a hybridized Japan, a society which historically has freely absorbed and embellished itself from numerous cultures, including America, Korea, China and Europe.en_ZA
dc.identifier.apacitationMolapo, M. (2003). <i>The cross-cultural camera of Akira Kurosawa</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Centre for Film and Media Studies. Retrieved from http://hdl.handle.net/11427/11010en_ZA
dc.identifier.chicagocitationMolapo, Mpaki. <i>"The cross-cultural camera of Akira Kurosawa."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Centre for Film and Media Studies, 2003. http://hdl.handle.net/11427/11010en_ZA
dc.identifier.citationMolapo, M. 2003. The cross-cultural camera of Akira Kurosawa. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Molapo, Mpaki AB - This minor dissertation is undertaken to examine the cross-cultural similarities that are revealed by motion pictures through analyzing the work of Akira Kurosawa and contrasting it with selective mainstream cinema texts. Kurosawa is a critical case in point due to his welding of Occidental and Japanese ideas into his films, and his origin from a hybridized Japan, a society which historically has freely absorbed and embellished itself from numerous cultures, including America, Korea, China and Europe. DA - 2003 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2003 T1 - The cross-cultural camera of Akira Kurosawa TI - The cross-cultural camera of Akira Kurosawa UR - http://hdl.handle.net/11427/11010 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/11010
dc.identifier.vancouvercitationMolapo M. The cross-cultural camera of Akira Kurosawa. [Thesis]. University of Cape Town ,Faculty of Humanities ,Centre for Film and Media Studies, 2003 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/11010en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentCentre for Film and Media Studiesen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherFilm and Media Studiesen_ZA
dc.titleThe cross-cultural camera of Akira Kurosawaen_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMAen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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