Reliëfkaart

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dc.contributor.authorStone, Lou-Annen_ZA
dc.date.accessioned2014-10-31T17:58:32Z
dc.date.available2014-10-31T17:58:32Z
dc.date.issued2009en_ZA
dc.descriptionIncludes bibliographical references.en_ZA
dc.description.abstractIn this dissertation Reliëfkaart is discussed by its author. In Part I the map as dominant metaphor and the cartographic aspects of writing poetry is studied with spatial consciousness, topographies, symbolic and iconic depiction and the implication of relief as main focus. As a cognitive process and means of portraying a three dimensional world in a two dimensional medium, cartography as writing and the poet as cartographer is discussed. Based on the theoretical background the poems are analyzed within their particular sections: "Reliëfkaart" , "Mappaemundi" , "Kartografie", "Vlakte", "Landmeter", "Grensgebied" and "Rysland". In Part II the author takes a closer look at the relationship between music and poetry. An analysis of a series of poems from Reliëfkaart, Droom for mezzo soprano and piano by composer Chris van Rhyn, indicates how inter-related the music and text can be. Two interpretations by two different musicians of "Die dans van die reën", a poem by Eugene N. Marais (1871-1936), is also discussed. The author shows on the function of tension, rhythm and sound when setting words to music.en_ZA
dc.identifier.apacitationStone, L. (2009). <i>Reliëfkaart</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Department of English Language and Literature. Retrieved from http://hdl.handle.net/11427/8996en_ZA
dc.identifier.chicagocitationStone, Lou-Ann. <i>"Reliëfkaart."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Department of English Language and Literature, 2009. http://hdl.handle.net/11427/8996en_ZA
dc.identifier.citationStone, L. 2009. Reliëfkaart. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Stone, Lou-Ann AB - In this dissertation Reliëfkaart is discussed by its author. In Part I the map as dominant metaphor and the cartographic aspects of writing poetry is studied with spatial consciousness, topographies, symbolic and iconic depiction and the implication of relief as main focus. As a cognitive process and means of portraying a three dimensional world in a two dimensional medium, cartography as writing and the poet as cartographer is discussed. Based on the theoretical background the poems are analyzed within their particular sections: "Reliëfkaart" , "Mappaemundi" , "Kartografie", "Vlakte", "Landmeter", "Grensgebied" and "Rysland". In Part II the author takes a closer look at the relationship between music and poetry. An analysis of a series of poems from Reliëfkaart, Droom for mezzo soprano and piano by composer Chris van Rhyn, indicates how inter-related the music and text can be. Two interpretations by two different musicians of "Die dans van die reën", a poem by Eugene N. Marais (1871-1936), is also discussed. The author shows on the function of tension, rhythm and sound when setting words to music. DA - 2009 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2009 T1 - Reliëfkaart TI - Reliëfkaart UR - http://hdl.handle.net/11427/8996 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/8996
dc.identifier.vancouvercitationStone L. Reliëfkaart. [Thesis]. University of Cape Town ,Faculty of Humanities ,Department of English Language and Literature, 2009 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/8996en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentDepartment of English Language and Literatureen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherKreatiewe Skryfwerken_ZA
dc.titleReliëfkaarten_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMAen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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