Reading Ruth : towards a postmodernist, literary and womanist analysis

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dc.contributor.advisorWanamaker, CAen_ZA
dc.contributor.authorNadar, Sarojinien_ZA
dc.date.accessioned2014-09-25T08:50:03Z
dc.date.available2014-09-25T08:50:03Z
dc.date.issued2000en_ZA
dc.descriptionBibliography: leaves 132-140.en_ZA
dc.description.abstractThis dissertation examines the book of Ruth from a postmodemist, literary and womanist perspective. The main methodology is postmodemist literary criticism, but it employs intertextual and autobiographical approaches as well. Chapter 1 is an exploration of the plot of Ruth and reveals that in order for the end goal of the plot to be achieved "emptiness has to return to fullness." It is shown that Ruth's action (her decision to return with Naomi) is the catalyst that begins the process that ultimately leads to the denouement of the plot. The fact that it is the two women, Ruth and Naomi, who drive the plot forward, indicates that the Book of Ruth is a woman's story. Chapter 2 demonstrates that the significance of narrative time for any literary analysis lies in the fact that the amount of time allowed for the retelling of the events rarely corresponds to the time it took for the events to happen. Since Ruth is a short story, the choice of what to tell, what to omit as well as how long to dwell on details are indeed significant. In other words it is shown that literary time is only spent on those aspects which are crucial for the advancement of the narrative. Since the reader's main goal is to see how the conflicts are resolved, the literary time spent on the resolution of the conflicts is an indication of where the weight of the story needs to lie. In this case, it is certainly with Ruth and Naomi judging from the amount of time spent on dialogues between the two women. They are therefore the ones that contribute to the resolution of the conflicts of the plot. Chapter 3 reveals that in the book of Ruth the narrative voice or the perspective of attitudes, conceptions and worldview are those of a woman. The fact that the book of Ruth is named after a woman; the fact that at the very outset all the males in the story die and it is the women that take over the narrative; the fact that in the end the women of Bethlehem declare that Ruth is better to Naomi than seven sons are just some of the reasons that substantiate the argument that the narrative voice in the book of Ruth was that of a woman. It is also shown that this narrative voice (whether overt or covert) subverts gender and ethnic expectations. Chapter 4 outlines the way in which biblical characters are portrayed. The subsections of chapter 4 deal with the characterisation of each major character: Naomi, Boaz, and Ruth. Chapter 4 is the longest chapter since it is difficult to evaluate characterisation without engaging the other facets of literary criticism as well, such as plot and dialogue.en_ZA
dc.identifier.apacitationNadar, S. (2000). <i>Reading Ruth : towards a postmodernist, literary and womanist analysis</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Department of Religious Studies. Retrieved from http://hdl.handle.net/11427/7688en_ZA
dc.identifier.chicagocitationNadar, Sarojini. <i>"Reading Ruth : towards a postmodernist, literary and womanist analysis."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Department of Religious Studies, 2000. http://hdl.handle.net/11427/7688en_ZA
dc.identifier.citationNadar, S. 2000. Reading Ruth : towards a postmodernist, literary and womanist analysis. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Nadar, Sarojini AB - This dissertation examines the book of Ruth from a postmodemist, literary and womanist perspective. The main methodology is postmodemist literary criticism, but it employs intertextual and autobiographical approaches as well. Chapter 1 is an exploration of the plot of Ruth and reveals that in order for the end goal of the plot to be achieved "emptiness has to return to fullness." It is shown that Ruth's action (her decision to return with Naomi) is the catalyst that begins the process that ultimately leads to the denouement of the plot. The fact that it is the two women, Ruth and Naomi, who drive the plot forward, indicates that the Book of Ruth is a woman's story. Chapter 2 demonstrates that the significance of narrative time for any literary analysis lies in the fact that the amount of time allowed for the retelling of the events rarely corresponds to the time it took for the events to happen. Since Ruth is a short story, the choice of what to tell, what to omit as well as how long to dwell on details are indeed significant. In other words it is shown that literary time is only spent on those aspects which are crucial for the advancement of the narrative. Since the reader's main goal is to see how the conflicts are resolved, the literary time spent on the resolution of the conflicts is an indication of where the weight of the story needs to lie. In this case, it is certainly with Ruth and Naomi judging from the amount of time spent on dialogues between the two women. They are therefore the ones that contribute to the resolution of the conflicts of the plot. Chapter 3 reveals that in the book of Ruth the narrative voice or the perspective of attitudes, conceptions and worldview are those of a woman. The fact that the book of Ruth is named after a woman; the fact that at the very outset all the males in the story die and it is the women that take over the narrative; the fact that in the end the women of Bethlehem declare that Ruth is better to Naomi than seven sons are just some of the reasons that substantiate the argument that the narrative voice in the book of Ruth was that of a woman. It is also shown that this narrative voice (whether overt or covert) subverts gender and ethnic expectations. Chapter 4 outlines the way in which biblical characters are portrayed. The subsections of chapter 4 deal with the characterisation of each major character: Naomi, Boaz, and Ruth. Chapter 4 is the longest chapter since it is difficult to evaluate characterisation without engaging the other facets of literary criticism as well, such as plot and dialogue. DA - 2000 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2000 T1 - Reading Ruth : towards a postmodernist, literary and womanist analysis TI - Reading Ruth : towards a postmodernist, literary and womanist analysis UR - http://hdl.handle.net/11427/7688 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/7688
dc.identifier.vancouvercitationNadar S. Reading Ruth : towards a postmodernist, literary and womanist analysis. [Thesis]. University of Cape Town ,Faculty of Humanities ,Department of Religious Studies, 2000 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/7688en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentDepartment of Religious Studiesen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherReligious Studiesen_ZA
dc.titleReading Ruth : towards a postmodernist, literary and womanist analysisen_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMAen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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