A wounded surface : dissolving the human form
| dc.contributor.advisor | MacKenny, Virginia | en_ZA |
| dc.contributor.author | Palte, Lauren | en_ZA |
| dc.date.accessioned | 2015-01-04T14:44:07Z | |
| dc.date.available | 2015-01-04T14:44:07Z | |
| dc.date.issued | 2011 | en_ZA |
| dc.description | Includes abstract. | en_ZA |
| dc.description | Includes bibliographical references (p. 103-110). | en_ZA |
| dc.description.abstract | This text offers an exploration into painting and metaphysical states of being and provides a framework for the reception of my body of work submitted for an MFA degree. In this project I am concerned with the translation of personal experiences to a canvas marked with oil paint. The experiences engage memories and stories mined from my family photographs, while also located in an experience of illness in my own body. Rather than directly illustrate these events, I have engaged with associated emotional states, such as feelings of loss, fear and uncertainty. My concerns are expressed either through fragmented or dismembered painted figures, or are engaged through the medium's materiality, explored and evoked through the visual and visceral qualities of a painted surface. An important part of my reading on carefully posed groups in formal family photographs is Marianne Hirsch's Family Frames: Photography. Narrative and Post memory (1997). Gathered at symbolic rites of passage, the family photograph offers ideal images of certitude, of familial togetherness and of happiness. In this body of work I reject the appearance of stability and search my family photographs for traces of ambivalent and unsettled bodily or emotional experiences. | en_ZA |
| dc.identifier.apacitation | Palte, L. (2011). <i>A wounded surface : dissolving the human form</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/11299 | en_ZA |
| dc.identifier.chicagocitation | Palte, Lauren. <i>"A wounded surface : dissolving the human form."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2011. http://hdl.handle.net/11427/11299 | en_ZA |
| dc.identifier.citation | Palte, L. 2011. A wounded surface : dissolving the human form. University of Cape Town. | en_ZA |
| dc.identifier.ris | TY - Thesis / Dissertation AU - Palte, Lauren AB - This text offers an exploration into painting and metaphysical states of being and provides a framework for the reception of my body of work submitted for an MFA degree. In this project I am concerned with the translation of personal experiences to a canvas marked with oil paint. The experiences engage memories and stories mined from my family photographs, while also located in an experience of illness in my own body. Rather than directly illustrate these events, I have engaged with associated emotional states, such as feelings of loss, fear and uncertainty. My concerns are expressed either through fragmented or dismembered painted figures, or are engaged through the medium's materiality, explored and evoked through the visual and visceral qualities of a painted surface. An important part of my reading on carefully posed groups in formal family photographs is Marianne Hirsch's Family Frames: Photography. Narrative and Post memory (1997). Gathered at symbolic rites of passage, the family photograph offers ideal images of certitude, of familial togetherness and of happiness. In this body of work I reject the appearance of stability and search my family photographs for traces of ambivalent and unsettled bodily or emotional experiences. DA - 2011 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2011 T1 - A wounded surface : dissolving the human form TI - A wounded surface : dissolving the human form UR - http://hdl.handle.net/11427/11299 ER - | en_ZA |
| dc.identifier.uri | http://hdl.handle.net/11427/11299 | |
| dc.identifier.vancouvercitation | Palte L. A wounded surface : dissolving the human form. [Thesis]. University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2011 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/11299 | en_ZA |
| dc.language.iso | eng | en_ZA |
| dc.publisher.department | Michaelis School of Fine Art | en_ZA |
| dc.publisher.faculty | Faculty of Humanities | en_ZA |
| dc.publisher.institution | University of Cape Town | |
| dc.subject.other | Fine Arts | en_ZA |
| dc.title | A wounded surface : dissolving the human form | en_ZA |
| dc.type | Master Thesis | |
| dc.type.qualificationlevel | Masters | |
| dc.type.qualificationname | MFA | en_ZA |
| uct.type.filetype | Text | |
| uct.type.filetype | Image | |
| uct.type.publication | Research | en_ZA |
| uct.type.resource | Thesis | en_ZA |
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