The grapes of wrath : sculpture as socio-political critique in South Africa

dc.contributor.advisorPayne, Malcolmen_ZA
dc.contributor.authorBird, Sen_ZA
dc.date.accessioned2014-09-30T13:42:31Z
dc.date.available2014-09-30T13:42:31Z
dc.date.issued2008en_ZA
dc.descriptionIncludes abstract.|Includes bibliographical references (leaves 52-56).en_ZA
dc.description.abstractThe title is borrowed from the classic novel by John Steinbeck published in 1939¹. It is a story that ostensibly concerns the Joad family's move from the agricultural hinterland of America to the promised land of California. Steinbeck's intention is the sympathetic portrayal of the human cost of mechanised agricultural revolution. The story plots the collision of old value systems with new profit driven capitalistic drives (Thompson and Kutach, 1990:143). The attendant ramifications see a great shift in the rural population to the urban areas. Much arable land is bought up by faceless consortiums and banks, leaving the farm dwellers little choice but to pack up and leave in search of work, in this manner a way of life for hundreds of thousands of unsophisticated, hard-working people comes to an end.en_ZA
dc.identifier.apacitationBird, S. (2008). <i>The grapes of wrath : sculpture as socio-political critique in South Africa</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/7801en_ZA
dc.identifier.chicagocitationBird, S. <i>"The grapes of wrath : sculpture as socio-political critique in South Africa."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2008. http://hdl.handle.net/11427/7801en_ZA
dc.identifier.citationBird, S. 2008. The grapes of wrath : sculpture as socio-political critique in South Africa. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Bird, S AB - The title is borrowed from the classic novel by John Steinbeck published in 1939¹. It is a story that ostensibly concerns the Joad family's move from the agricultural hinterland of America to the promised land of California. Steinbeck's intention is the sympathetic portrayal of the human cost of mechanised agricultural revolution. The story plots the collision of old value systems with new profit driven capitalistic drives (Thompson and Kutach, 1990:143). The attendant ramifications see a great shift in the rural population to the urban areas. Much arable land is bought up by faceless consortiums and banks, leaving the farm dwellers little choice but to pack up and leave in search of work, in this manner a way of life for hundreds of thousands of unsophisticated, hard-working people comes to an end. DA - 2008 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2008 T1 - The grapes of wrath : sculpture as socio-political critique in South Africa TI - The grapes of wrath : sculpture as socio-political critique in South Africa UR - http://hdl.handle.net/11427/7801 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/7801
dc.identifier.vancouvercitationBird S. The grapes of wrath : sculpture as socio-political critique in South Africa. [Thesis]. University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2008 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/7801en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentMichaelis School of Fine Arten_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherFine Arten_ZA
dc.titleThe grapes of wrath : sculpture as socio-political critique in South Africaen_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMFAen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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