An analysis and exposition of form in the discipline of easel painting
| dc.contributor.advisor | Pinker, Stanley | |
| dc.contributor.author | van der Merwe, Vivian Hubert | |
| dc.date.accessioned | 2023-09-21T07:51:14Z | |
| dc.date.available | 2023-09-21T07:51:14Z | |
| dc.date.issued | 1984 | |
| dc.date.updated | 2023-09-21T07:50:55Z | |
| dc.description.abstract | The text of this volume is intended to introduce the reader to the cycle of paintings submitted for the Master of Fine Art degree. The very nature of form imposes severe limitations on any kind of semantic or linguistic recourse to the visual form of painting, and this has been the cardinal difficulty in drawing together the verbal and visual elements of my research. At best, the text and reproduction of the works can be seen in juxtaposition. The first two chapters, "The Genesis of Form" and "Form and Silence" constitute the conceptual background to the field of enquiry. The third chapter "The Work" deals with the specific concerns and categories of form which pertain to the cycle of paintings. This is followed by "The Conclusion" which serves as a brief and personal appraisal of the work. The text and illustrations have been separated to permit undivided perusal of the paintings. | |
| dc.identifier.apacitation | van der Merwe, V. H. (1984). <i>An analysis and exposition of form in the discipline of easel painting</i>. (). ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/38803 | en_ZA |
| dc.identifier.chicagocitation | van der Merwe, Vivian Hubert. <i>"An analysis and exposition of form in the discipline of easel painting."</i> ., ,Faculty of Humanities ,Michaelis School of Fine Art, 1984. http://hdl.handle.net/11427/38803 | en_ZA |
| dc.identifier.citation | van der Merwe, V.H. 1984. An analysis and exposition of form in the discipline of easel painting. . ,Faculty of Humanities ,Michaelis School of Fine Art. http://hdl.handle.net/11427/38803 | en_ZA |
| dc.identifier.ris | TY - Master Thesis AU - van der Merwe, Vivian Hubert AB - The text of this volume is intended to introduce the reader to the cycle of paintings submitted for the Master of Fine Art degree. The very nature of form imposes severe limitations on any kind of semantic or linguistic recourse to the visual form of painting, and this has been the cardinal difficulty in drawing together the verbal and visual elements of my research. At best, the text and reproduction of the works can be seen in juxtaposition. The first two chapters, "The Genesis of Form" and "Form and Silence" constitute the conceptual background to the field of enquiry. The third chapter "The Work" deals with the specific concerns and categories of form which pertain to the cycle of paintings. This is followed by "The Conclusion" which serves as a brief and personal appraisal of the work. The text and illustrations have been separated to permit undivided perusal of the paintings. DA - 1984 DB - OpenUCT DP - University of Cape Town KW - Fine Art and Architecture LK - https://open.uct.ac.za PY - 1984 T1 - An analysis and exposition of form in the discipline of easel painting TI - An analysis and exposition of form in the discipline of easel painting UR - http://hdl.handle.net/11427/38803 ER - | en_ZA |
| dc.identifier.uri | http://hdl.handle.net/11427/38803 | |
| dc.identifier.vancouvercitation | van der Merwe VH. An analysis and exposition of form in the discipline of easel painting. []. ,Faculty of Humanities ,Michaelis School of Fine Art, 1984 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/38803 | en_ZA |
| dc.language.rfc3066 | eng | |
| dc.publisher.department | Michaelis School of Fine Art | |
| dc.publisher.faculty | Faculty of Humanities | |
| dc.subject | Fine Art and Architecture | |
| dc.title | An analysis and exposition of form in the discipline of easel painting | |
| dc.type | Master Thesis | |
| dc.type.qualificationlevel | Masters | |
| dc.type.qualificationlevel | Masters |