Vocal schizophrenia or conscious flexibility? : owning the voice in the South African context
| dc.contributor.advisor | Mills, Liz | en_ZA |
| dc.contributor.author | Araujo, Darron | en_ZA |
| dc.date.accessioned | 2015-01-10T06:51:21Z | |
| dc.date.available | 2015-01-10T06:51:21Z | |
| dc.date.issued | 2009 | en_ZA |
| dc.description | Includes abstract. | en_ZA |
| dc.description | Includes bibliographical references (leaves 56-60). | en_ZA |
| dc.description.abstract | This thesis questions how and why certain South African performers habitually and unconsciously shift accent in the performance context. I refer to this vocal action as habitual, unconscious accent-based speech adaptation. This examination is made considering that contemporary voice training at the Drama Department of the University of Cape Town (UCT), where the author locates, does not designate any accent as a criterion for performance. Whilst I do not contend habitual, unconscious accent-based speech adaptation to be language-specific this research is English-based. Habitual, unconscious accent-based speech adaptation highlights three primary concerns: the first I term an 'ossification' of sound producing vocal inflexibility; the second is potential class-based exclusion from the performance context; and the third concern is a need for critical awareness in training and performance, evidenced by the preceding concerns. Despite accent-based speech adaptation paradoxically demonstrating the voice's flexibility, when accent-based speech adaptation happens unconsciously and habitually the real flexibility of the voice is negated producing detachment from the performer's own vocal identity or 'vocal schizophrenia' (Rodenburg, 2001: 81). | en_ZA |
| dc.identifier.apacitation | Araujo, D. (2009). <i>Vocal schizophrenia or conscious flexibility? : owning the voice in the South African context</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Department of Drama. Retrieved from http://hdl.handle.net/11427/11898 | en_ZA |
| dc.identifier.chicagocitation | Araujo, Darron. <i>"Vocal schizophrenia or conscious flexibility? : owning the voice in the South African context."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Department of Drama, 2009. http://hdl.handle.net/11427/11898 | en_ZA |
| dc.identifier.citation | Araujo, D. 2009. Vocal schizophrenia or conscious flexibility? : owning the voice in the South African context. University of Cape Town. | en_ZA |
| dc.identifier.ris | TY - Thesis / Dissertation AU - Araujo, Darron AB - This thesis questions how and why certain South African performers habitually and unconsciously shift accent in the performance context. I refer to this vocal action as habitual, unconscious accent-based speech adaptation. This examination is made considering that contemporary voice training at the Drama Department of the University of Cape Town (UCT), where the author locates, does not designate any accent as a criterion for performance. Whilst I do not contend habitual, unconscious accent-based speech adaptation to be language-specific this research is English-based. Habitual, unconscious accent-based speech adaptation highlights three primary concerns: the first I term an 'ossification' of sound producing vocal inflexibility; the second is potential class-based exclusion from the performance context; and the third concern is a need for critical awareness in training and performance, evidenced by the preceding concerns. Despite accent-based speech adaptation paradoxically demonstrating the voice's flexibility, when accent-based speech adaptation happens unconsciously and habitually the real flexibility of the voice is negated producing detachment from the performer's own vocal identity or 'vocal schizophrenia' (Rodenburg, 2001: 81). DA - 2009 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2009 T1 - Vocal schizophrenia or conscious flexibility? : owning the voice in the South African context TI - Vocal schizophrenia or conscious flexibility? : owning the voice in the South African context UR - http://hdl.handle.net/11427/11898 ER - | en_ZA |
| dc.identifier.uri | http://hdl.handle.net/11427/11898 | |
| dc.identifier.vancouvercitation | Araujo D. Vocal schizophrenia or conscious flexibility? : owning the voice in the South African context. [Thesis]. University of Cape Town ,Faculty of Humanities ,Department of Drama, 2009 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/11898 | en_ZA |
| dc.language.iso | eng | en_ZA |
| dc.publisher.department | Department of Drama | en_ZA |
| dc.publisher.faculty | Faculty of Humanities | en_ZA |
| dc.publisher.institution | University of Cape Town | |
| dc.subject.other | Theatre and Performance | en_ZA |
| dc.title | Vocal schizophrenia or conscious flexibility? : owning the voice in the South African context | en_ZA |
| dc.type | Master Thesis | |
| dc.type.qualificationlevel | Masters | |
| dc.type.qualificationname | MA | en_ZA |
| uct.type.filetype | Text | |
| uct.type.filetype | Image | |
| uct.type.publication | Research | en_ZA |
| uct.type.resource | Thesis | en_ZA |
Files
Original bundle
1 - 1 of 1
Loading...
- Name:
- thesis_sci_2009_araujo_d (1).pdf
- Size:
- 3.47 MB
- Format:
- Adobe Portable Document Format
- Description: