Zeegezichten

dc.contributor.advisorPayne, Malcolmen_ZA
dc.contributor.authorDe Greef, Nieken_ZA
dc.date.accessioned2014-12-27T19:52:02Z
dc.date.available2014-12-27T19:52:02Z
dc.date.issued2005en_ZA
dc.descriptionIncludes bibliographical references (p. 101-104).en_ZA
dc.description.abstractThis dissertation explicates the work produced during the course of my Masters of Fine Art (MFA) at the Michaelis School of Fine Art. For a better understanding of this body of work, it is important that I relate the events in part that led up to its production. My intention from the start (in selecting a change of working location from The Netherlands to South Africa) was to test my practice, not only against the practical and theoretical contingencies influencing its production up to the end of 2003, but also how a specific geographical and political milieu affects its making. To do this I need to interrogate both bodies of works, those produced immediately before my MFA, as well as those arising during my studies in Cape Town. My art-historical field of reference consists mainly of West European and twentieth century American art and art theory.en_ZA
dc.identifier.apacitationDe Greef, N. (2005). <i>Zeegezichten</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art. Retrieved from http://hdl.handle.net/11427/10304en_ZA
dc.identifier.chicagocitationDe Greef, Niek. <i>"Zeegezichten."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2005. http://hdl.handle.net/11427/10304en_ZA
dc.identifier.citationDe Greef, N. 2005. Zeegezichten. University of Cape Town.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - De Greef, Niek AB - This dissertation explicates the work produced during the course of my Masters of Fine Art (MFA) at the Michaelis School of Fine Art. For a better understanding of this body of work, it is important that I relate the events in part that led up to its production. My intention from the start (in selecting a change of working location from The Netherlands to South Africa) was to test my practice, not only against the practical and theoretical contingencies influencing its production up to the end of 2003, but also how a specific geographical and political milieu affects its making. To do this I need to interrogate both bodies of works, those produced immediately before my MFA, as well as those arising during my studies in Cape Town. My art-historical field of reference consists mainly of West European and twentieth century American art and art theory. DA - 2005 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2005 T1 - Zeegezichten TI - Zeegezichten UR - http://hdl.handle.net/11427/10304 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/10304
dc.identifier.vancouvercitationDe Greef N. Zeegezichten. [Thesis]. University of Cape Town ,Faculty of Humanities ,Michaelis School of Fine Art, 2005 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/10304en_ZA
dc.language.isoengen_ZA
dc.publisher.departmentMichaelis School of Fine Arten_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.subject.otherFine Artsen_ZA
dc.titleZeegezichtenen_ZA
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMFAen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceThesisen_ZA
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