Die Bemiddelaars met middelvingers: n' studie oor die verhoudiing tussen mag en satire

dc.contributor.advisorHambidge, Joan
dc.contributor.authorVermaak, Johannes
dc.date.accessioned2020-01-29T08:19:17Z
dc.date.available2020-01-29T08:19:17Z
dc.date.issued2019
dc.date.updated2020-01-24T07:57:18Z
dc.description.abstractSatire and power are inseparably interconnected. This study investigates satire and power as contextually informed by their socio-political milieu. The origins of satire, both etymologically and as genre, constitute the first section. This is followed by a description of the primary aims of satire. The focus is on three contrasting mediums of era-specific satirical delivery, namely: 1) Etienne Leroux’s satirical novels within the Apartheid era; 2) Bitterkomix and the impact of the satirical image in postApartheid South Africa; and 3) multimedia satire in the 21st century. Shifts in power, moral codes and satirical targets are analysed and deconstructed within the context of each timeframe. Considering the reconceptualisation of traditional power dynamics with regard to gender and identity within a post-colonial context, the question arises: What is the future of satire?
dc.identifier.apacitationVermaak, J. (2019). <i>Die Bemiddelaars met middelvingers: n' studie oor die verhoudiing tussen mag en satire</i>. (). ,Faculty of Humanities ,School of Languages and Literatures. Retrieved from http://hdl.handle.net/11427/30828en_ZA
dc.identifier.chicagocitationVermaak, Johannes. <i>"Die Bemiddelaars met middelvingers: n' studie oor die verhoudiing tussen mag en satire."</i> ., ,Faculty of Humanities ,School of Languages and Literatures, 2019. http://hdl.handle.net/11427/30828en_ZA
dc.identifier.citationVermaak, J. 2019. Die Bemiddelaars met middelvingers: n' studie oor die verhoudiing tussen mag en satire.en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Vermaak, Johannes AB - Satire and power are inseparably interconnected. This study investigates satire and power as contextually informed by their socio-political milieu. The origins of satire, both etymologically and as genre, constitute the first section. This is followed by a description of the primary aims of satire. The focus is on three contrasting mediums of era-specific satirical delivery, namely: 1) Etienne Leroux’s satirical novels within the Apartheid era; 2) Bitterkomix and the impact of the satirical image in postApartheid South Africa; and 3) multimedia satire in the 21st century. Shifts in power, moral codes and satirical targets are analysed and deconstructed within the context of each timeframe. Considering the reconceptualisation of traditional power dynamics with regard to gender and identity within a post-colonial context, the question arises: What is the future of satire? DA - 2019 DB - OpenUCT DP - University of Cape Town KW - Literature LK - https://open.uct.ac.za PY - 2019 T1 - Die Bemiddelaars met middelvingers: n' studie oor die verhoudiing tussen mag en satire TI - Die Bemiddelaars met middelvingers: n' studie oor die verhoudiing tussen mag en satire UR - http://hdl.handle.net/11427/30828 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/30828
dc.identifier.vancouvercitationVermaak J. Die Bemiddelaars met middelvingers: n' studie oor die verhoudiing tussen mag en satire. []. ,Faculty of Humanities ,School of Languages and Literatures, 2019 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/30828en_ZA
dc.language.rfc3066Afr
dc.publisher.departmentSchool of Languages and Literatures
dc.publisher.facultyFaculty of Humanities
dc.subjectLiterature
dc.titleDie Bemiddelaars met middelvingers: n' studie oor die verhoudiing tussen mag en satire
dc.typeMaster Thesis
dc.type.qualificationlevelMasters
dc.type.qualificationnameMA
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