An archaeology of self

Master Thesis

2010

Permanent link to this Item
Authors
Supervisors
Journal Title
Link to Journal
Journal ISSN
Volume Title
Publisher
Publisher

University of Cape Town

License
Series
Abstract
The title of this dissertation is An Archaeology of Self. The first two chapters explore the historical and theoretical basis that has informed my creative work. It is predominantly concerned with artists who engage with the everyday in their art-making. The three main ideas elaborated upon in the body of the text are; the notion of mark making and trace as able to invoke the corporeal presence of the artists; the inclusion of quotidian objects and routines as subject matter within art that recontextualises them as worthy of attention; and the extent to which the representation or use of material objects, traces and leavings can retain significant meaning. The latter is explored in reference to artists who use an archaeological methodology in their work. An underlying theme in both practical and theoretical research is the concept of indexical trace that invokes the presence of its referent while paradoxically signalling its absence. The concluding chapters deal with my methodology and the processes of collection used in arriving at the works presented for examination.
Description

Includes bibliographical references.

Keywords

Reference:

Collections