The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt
dc.contributor.author | Kevin, Fellingham | |
dc.contributor.editor | Michaletos, Nicoletta | |
dc.date.accessioned | 2022-11-14T13:12:08Z | |
dc.date.available | 2022-11-14T13:12:08Z | |
dc.date.issued | 2017 | |
dc.description.abstract | Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future. Instead of being made of natural materials, such as marble, granite: plastic, chrome, and electric light. They are not built for the ages, but rather against the ages. They are involved in a systematic reduction of time down to fractions of seconds, rather than in representing the long spaces of centuries. Both past and future are placed into an objective present. This kind of time has little or no space; it is stationary and without movement, it is going nowhere, it is anti-Newtonian, as well as being instant, and is against the wheels of the time-clock. - Robert Smithson, Entropy and the New Monuments (1966) | en_US |
dc.identifier.apacitation | Kevin, F. (2017). <i>The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt</i>. Great Britain: Cambridge Architectural Press. http://hdl.handle.net/11427/36890 | en_ZA |
dc.identifier.chicagocitation | Kevin, Fellingham. <i>The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt</i>. Great Britain: Cambridge Architectural Press. 2017. http://hdl.handle.net/11427/36890. | en_ZA |
dc.identifier.citation | Kevin, F. 2017. <i>The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt</i>.Great Britain:Cambridge Architectural Press. http://hdl.handle.net/11427/36890. | en_ZA |
dc.identifier.isbn | 978-0-9930530-1-6 | |
dc.identifier.ris | TY - Book AU - Kevin, Fellingham AB - Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future. Instead of being made of natural materials, such as marble, granite: plastic, chrome, and electric light. They are not built for the ages, but rather against the ages. They are involved in a systematic reduction of time down to fractions of seconds, rather than in representing the long spaces of centuries. Both past and future are placed into an objective present. This kind of time has little or no space; it is stationary and without movement, it is going nowhere, it is anti-Newtonian, as well as being instant, and is against the wheels of the time-clock. - Robert Smithson, Entropy and the New Monuments (1966) CY - Great Britain DA - 2017 DB - OpenUCT DP - University of Cape Town ED - Michaletos, Nicoletta KW - South African Architecture KW - Roelof Uytenbogaardt KW - Architectural History KW - Architectural Theory KW - Temporality LK - https://open.uct.ac.za PP - Great Britain PY - 2017 SM - 978-0-9930530-1-6 T1 - The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt TI - The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt UR - http://hdl.handle.net/11427/36890 ER - | en_ZA |
dc.identifier.uri | http://hdl.handle.net/11427/36890 | |
dc.identifier.vancouvercitation | Kevin F. The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt. Great Britain: Cambridge Architectural Press; 2017.http://hdl.handle.net/11427/36890 | en_ZA |
dc.publisher | Cambridge Architectural Press | en_US |
dc.publisher.faculty | Faculty of Engineering and the Built Environment | en_US |
dc.publisher.location | Great Britain | en_US |
dc.subject | South African Architecture | en_US |
dc.subject | Roelof Uytenbogaardt | |
dc.subject | Architectural History | |
dc.subject | Architectural Theory | |
dc.subject | Temporality | |
dc.title | The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt | en_US |
dc.type | Book | en_US |