This is our sport!

dc.contributor.authorBruinders, Sylvia
dc.date.accessioned2017-05-02T09:49:23Z
dc.date.available2017-05-02T09:49:23Z
dc.date.issued2007
dc.date.updated2016-01-07T10:44:29Z
dc.description.abstractThe Christmas Band competitions are one of three coloured community music competitions that take place in the Western Cape between January and March every year, the other two being the klopse (carnival troupes) and the Malay choirs. Christmas bands, which first began holding formal competitions in the 1940s, developed out of city clubs established under British colonial rule in the Cape Colony and the Temperance movement, both of which imbued the bands with the idea of presenting a respectable working class ethos through the use of stylish uniforms, strict discipline and implied militarism in the marching files. The bands characterise and preserve notions of masculinity, bond local communities of supporters, help to train musicians, and through the annual enactment of an ideal coloured community help working class people to present themselves as upright and honourable members of society. The practices engaged in by the bands constitute a performance of identity: the articulation of a social identity, which, though marginalised and contested, is nonetheless proudly independent and united.
dc.identifier.apacitationBruinders, S. (2007). This is our sport!. <i>SAMUS: South Africa Journal of Musicology</i>, http://hdl.handle.net/11427/24232en_ZA
dc.identifier.chicagocitationBruinders, Sylvia "This is our sport!." <i>SAMUS: South Africa Journal of Musicology</i> (2007) http://hdl.handle.net/11427/24232en_ZA
dc.identifier.citationBruinders, S. (2006). 'This is our sport!'Christmas Band competitions and the enactment of an ideal community. SAMUS: South African Music Studies, 26, 109-126.
dc.identifier.ris TY - Journal Article AU - Bruinders, Sylvia AB - The Christmas Band competitions are one of three coloured community music competitions that take place in the Western Cape between January and March every year, the other two being the klopse (carnival troupes) and the Malay choirs. Christmas bands, which first began holding formal competitions in the 1940s, developed out of city clubs established under British colonial rule in the Cape Colony and the Temperance movement, both of which imbued the bands with the idea of presenting a respectable working class ethos through the use of stylish uniforms, strict discipline and implied militarism in the marching files. The bands characterise and preserve notions of masculinity, bond local communities of supporters, help to train musicians, and through the annual enactment of an ideal coloured community help working class people to present themselves as upright and honourable members of society. The practices engaged in by the bands constitute a performance of identity: the articulation of a social identity, which, though marginalised and contested, is nonetheless proudly independent and united. DA - 2007 DB - OpenUCT DP - University of Cape Town J1 - SAMUS: South Africa Journal of Musicology LK - https://open.uct.ac.za PB - University of Cape Town PY - 2007 T1 - This is our sport! TI - This is our sport! UR - http://hdl.handle.net/11427/24232 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/24232
dc.identifier.vancouvercitationBruinders S. This is our sport!. SAMUS: South Africa Journal of Musicology. 2007; http://hdl.handle.net/11427/24232.en_ZA
dc.language.isoeng
dc.publisher.departmentCollege of Musicen_ZA
dc.publisher.facultyFaculty of Humanitiesen_ZA
dc.publisher.institutionUniversity of Cape Town
dc.sourceSAMUS: South Africa Journal of Musicology
dc.source.urihttp://reference.sabinet.co.za/sa_epublication_article/samus1_v26_27_a7
dc.titleThis is our sport!
dc.typeJournal Articleen_ZA
uct.type.filetypeText
uct.type.filetypeImage
uct.type.publicationResearchen_ZA
uct.type.resourceArticleen_ZA
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