Browsing by Subject "authenticity"

Now showing 1 - 3 of 3
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    The relativity of authenticity: Notions of authenticity in the Cape Winelands cultural landscape and the impact of wine tourism on cultural heritage
    (2015) Joubert, Elize; Townsend, Stephen S
    This study explores various notions of authenticity in tourism experience and seeks to establish if these notions are compatible with the concept of authenticity in conservation of the built environment. Three wine farms in the Cape Winelands cultural landscape, a proposed serial World Heritage Site, have been studied. The study suggests that object-related or material authenticity is being replaced with alternative notions of authenticity in tourism and that the toured object, for the purpose of winelands tourism in the Western Cape during this period, no longer needs to be authentic.
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    The problem of orginality and value in the Lady Michaelis gifts to the South African National Gallery
    (2010) Tietze, Anna
    The issue of authenticity in visual art is critically addressed at the outset of this paper. This general discussion leads to a study of the works presented by Lady Michaelis to the South African National Gallery in the 1930s. Many of the paintings and drawings in this gift collection have never been exhibited because of doubts about their authenticity and claims that they are fake. The collection is analysed to assess the justification or otherwise for these doubts. It is concluded that, even if doubts justifiably exist about some of the works, others have firmer attributions to interesting artists. Moreover, it is argued, even those which do not might still be exhibited in an age which has revised its view of the ‘authenticity’ issue.
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    Writers Researching: Fact and Fiction
    (2014-09-29) Irwin, Ron; Moffett, Helen; Beukes, Lauren; Makholwa, Angela; Dowling, Finuala
    What is the relationship between research and the writing process and between historical ‘truth’ and fictional ‘truth’? Are there boundaries which should not be crossed? In this course writers will talk about the research that resulted in their recent novels. Ron Irwin, author of Flat Water Tuesday, will discuss how he researched people, places and real events and the challenges associated with turning the events of one’s own life into a novel. Helen Moffett, one of the trio behind the Girl Walk In series, will explain how she and her co-authors research and write erotica novels, providing insight into collaboration, champagne and condoms. Award-winning Lauren Beukes will describe how she ‘kinks’ reality in relation to the real-world research that informed The Shining Girls and Zoo City. Angela Makholwa will explore the process of writing the criminal mind, including interviews with a serial killer for Red Ink, and research about women who killed their husbands for Black Widow Society. Readers always assume that everything that happened in your book happened to you, complains Finuala Dowling, so what’s the point of trudging uphill for five hours in search of one sentence? Referring to both Homemaking for the Down-at-Heart and her latest manuscript, The Fetch, she discusses the price of authenticity.