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  1. Home
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Browsing by Subject "Film"

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    Men on the margin: onscreen outsiders and American masculinity
    (2015) Phillips, Andrew John; Rijsdijk, Ian; Marx, Lesley
    The central purpose of this thesis is to examine ideas of solitude and alienation as they relate to the masculine identity of men - particularly American men as represented in Hollywood films. The subjects include several outsider characters from history and fiction, which are divided into two primary categories: those men who have rejected society and sought solitude for themselves, especially in nature; and those who have been rejected by society, who find themselves on the relative margins of the patriarchal society they expected to embrace them. There is one question at the core of this exploration: If masculine identity is socially determined in accordance with strict normative values, what then of the outsider, who has ostensibly rejected, or been rejected by, society and is in many ways no longer subject to its rules? After a general introduction to psychological and philosophical notions of solitude and alienation, I use the first chapter to develop a theoretical framework for discussing hegemonic American masculinity, which is potently represented on screen by the Hollywood film industry to both reflect and inform the society that funds it.
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    Paramedics, poetry, and film: health policy and systems research at the intersection of theory, art, and practice
    (2019-08-07) Brady, Leanne; De Vries, Shaheem; Gallow, Rushaana; George, Asha; Gilson, Lucy; Louw, Moira; Martin, Abdul W; Shamis, Khalid; Stuart, Toni
    Abstract Violence is a public health issue. It is the consequence of a complex set of interacting political, social, and economic factors firmly rooted in past and current injustice. South Africa remains one of the most unequal countries in the world, and in some areas, the rates of violence are comparable to a country that is at war. Increasingly, paramedics working in high-risk areas of Cape Town are being caught in the crossfire, and in 2018, there was an attack on a paramedic crew nearly every week. These attacks are a symptom of much deeper, complex societal issues. Clearly, we require new approaches to better understand the complexity as we collectively find a way forward. It is in this context that we are collaborating with paramedics, poets, and filmmakers to tell human stories from the frontline thereby bringing the lived experiences of healthcare workers into policy making processes. In this commentary, we share a series of poems and a poetry-film that form part of a larger body of work focused on the safety of paramedics, to catalyze discussion about the possibilities that arts-based methods offer us as we seek to better understand and engage with complex social issues that have a direct impact on the health system.
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