Browsing by Subject "Ceramics"

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    Open Access
    Archaeology and archaeometallurgy in Limpopo province of South Africa: case studies of early iron age sites of Mutoti and Thomo
    (2021) Mathoho, Ndivhuho Eric; Chirikure, Shadreck
    Decades of archaeological research have established the chronology of the history of culture by farmers in northern South Africa from the beginning of the first millennium AD to the recent past (1900). This thesis sought to explore the archaeology and archaeometallurgy of the early inhabitants of the Lowveld region. Rigorous methodological and theoretical approaches, which include Ethno-Historical, archaeological and archaeometallurgical studies, were employed to acquire the relevant information required to address research problems. Ceramic typology and settlement pattern studies were used to establish the culture-history to contextualise Iron Age sites, while Optical Microscopy, X-Ray Fluorescence analysis (XRF) and Scanning Electron Microscopy (SEM) were used to investigate the metallurgical remains to understand metal production technology. Both Mutoti and Thomo sites share several similarities, namely, they are situated near the perennial streams, the presence of metal-production sites and the predominant pottery types, consisting of short and long neck vessels dominated by comb stamping, incision and punctate decorations on the rim, neck and shoulder of the vessels. Ceramic tradition analysis revealed that both Mut 2 and Thomo combine ceramic designs and attributes that appeared in the region near the beginning of the first Millennium AD, that is the Urewe and the Kalundu traditions. Garonga Phase tradition developed from the Urewe tradition which represent the first facie, represented by the Silver Leaves sites of the Kwale branch ceramic tradition which dates to AD 280- 420 and the Kalundu tradition (which starts from Happy Rest and progresses to Diamant - Phase 2) which dates from the sixth century AD, both traditions share distinctive ceramics styles and decoration attributes (Burrett, 2007; Huffman, 2007). The radiocarbon-based chronology suggests that Mut 2 and Thomo sites were occupied contemporaneously and dated to AD 650-850. Analysis of the distribution of materials objects across Mut 2 site revealed active participation in both local and international trade network (Soapstone and Islamic ceramics) operated at a village status. Some of the craft production related evidence include metal production, eggshell beads and cloth manufacturing. Metal production was regarded as signature of power and authority in Iron Age period (Herbert, 1996). More research may strengthen this observation.
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    Zimbabwe culture before Mapungubwe: new evidence from Mapela Hill, South-Western Zimbabwe
    (Public Library of Science, 2014) Chirikure, Shadreck; Manyanga, Munyaradzi; Pollard, A Mark; Bandama, Foreman; Mahachi, Godfrey; Pikirayi, Innocent
    Across the globe, the emergence of complex societies excites intense academic debate in archaeology and allied disciplines. Not surprisingly, in southern Africa the traditional assumption that the evolution of socio-political complexity began with ideological transformations from K2 to Mapungubwe between CE1200 and 1220 is clouded in controversy. It is believed that the K2−Mapungubwe transitions crystallised class distinction and sacred leadership, thought to be the key elements of the Zimbabwe culture on Mapungubwe Hill long before they emerged anywhere else. From Mapungubwe (CE1220-1290), the Zimbabwe culture was expressed at Great Zimbabwe (CE1300-1450) and eventually Khami (CE1450-1820). However, new fieldwork at Mapela Hill, when coupled with a Bayesian chronology, offers tremendous fresh insights which refute this orthodoxy. Firstly, Mapela possesses enormous prestige stone-walled terraces whose initial construction date from the 11 th century CE, almost two hundred years earlier than Mapungubwe. Secondly, the basal levels of the Mapela terraces and hilltop contain élite solid dhaka (adobe) floors associated with K2 pottery and glass beads. Thirdly, with a hilltop and flat area occupation since the 11 th century CE, Mapela exhibits evidence of class distinction and sacred leadership earlier than K2 and Mapungubwe, the supposed propagators of the Zimbabwe culture. Fourthly, Mapungubwe material culture only appeared later in the Mapela sequence and therefore post-dates the earliest appearance of stone walling and dhaka floors at the site. Since stone walls, dhaka floors and class distinction are the essence of the Zimbabwe culture, their earlier appearance at Mapela suggests that Mapungubwe can no longer be regarded as the sole cradle of the Zimbabwe culture. This demands not just fresh ways of accounting for the rise of socio-political complexity in southern Africa, but also significant adjustments to existing models.