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  1. Home
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Browsing by Author "van der Watt, Liese"

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    Hirsute bodies: the reclamation of the feminine in contemporary South African art
    (2006) McIntosh, Tavish; van der Watt, Liese
    This dissertation investigates the presence and the significance of hair in the work of contemporary South African artists Penny Siopis, Tracey Rose and Nandipha Mntambo. The use of this material, a substance embedded in the body and characterizing its appearance, is indicative of a desire to validate the material body and reclaim its connection with the feminine. The author argues for a return to the theories of the French Feminists, Helene Cixous, Luce lrigaray and Julia Kristeva, who were the initial proponents of the idea of l 'ecriture feminine (feminine writing). The feminine text, which enjoyed currency in the seventies, is again relevant for the analysis of these artists' work in light of their calculated use of hair to both explore and exploit the position of the feminine. The author contrasts the French Feminists' use of strategic essentialism with Judith
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    Reports on Colloquium Sessions
    (2004) Adhikari, Mohammed; Phillips, Howard; van der Watt, Liese; Rijsdijk, Ian-Malcolm; van Sittert, Lance; Deacon, Harriet; Erlank, Natasha; Clowes, Lindsay; Worden, Nigel; Bickford-Smith, Vivian
    Since the late 1980s the environmental trope in South African history has been gradually elevated to a field of enquiry in its own right. The impetus to this transformation has been varied, the blossoming of environmental history in the North American academy and green politics and agrarian social history in South Africa being among the more influential.
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