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  1. Home
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Browsing by Author "Stoltz, Liesl"

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    The French flute tradition
    (2003) Stoltz, Liesl; May, James
    The French flute tradition is remarkable and is admired by flautists, teachers and students of the flute all over the world. The dissertation researched the development of this tradition from the pre-Baroque period through to the modern era and tried to determine the underlying factors that stimulated its development specifically in France. The first key was added to the flute in France and with this the Hotteteres created the blueprint for the modern flute of today. During the Classical period the conservative French retarded the development of the instrument and the repertoire for the flute by initially rejecting additional keys.
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    A study and catalogue of French flute music written between 1945 and 2008
    (2010) Stoltz, Liesl; May, James
    French contemporary flute works are seldom performed outside France, and most of the composers are relatively unknown to the rest of the world. These works often include new instrumental performance techniques, known as ‘extended techniques’ or avant-garde techniques, which were developed by prominent flute performers in collaboration with composers. The study and performance of works which include extended techniques remain daunting to most South African flautists. Extensive research reveals no existence of a catalogue which represents all French composers and their works for flute after 1945. There is also a great shortage of available literature which prevents flautists, especially outside of Europe, from studying these works. The main objective of this dissertation is to fill this void.
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