• English
  • Čeština
  • Deutsch
  • Español
  • Français
  • Gàidhlig
  • Latviešu
  • Magyar
  • Nederlands
  • Português
  • Português do Brasil
  • Suomi
  • Svenska
  • Türkçe
  • Қазақ
  • বাংলা
  • हिंदी
  • Ελληνικά
  • Log In
  • Communities & Collections
  • Browse OpenUCT
  • English
  • Čeština
  • Deutsch
  • Español
  • Français
  • Gàidhlig
  • Latviešu
  • Magyar
  • Nederlands
  • Português
  • Português do Brasil
  • Suomi
  • Svenska
  • Türkçe
  • Қазақ
  • বাংলা
  • हिंदी
  • Ελληνικά
  • Log In
  1. Home
  2. Browse by Author

Browsing by Author "Fraser, Nicole Clare"

Now showing 1 - 1 of 1
Results Per Page
Sort Options
  • Loading...
    Thumbnail Image
    Item
    Open Access
    Making space: photographic traces of absence, stillness and the in-between in public spaces
    (2022) Fraser, Nicole Clare; Josephy, Svea; Inggs, Stephen
    My photographic project Making Space: Photographic Traces of Absence, Stillness and the In-Between in Public Spaces explores banal and commonplace empty spaces, non-places, liminal spaces and ordinary, inanimate objects. In the first section, Situating my Practice, I contextualise my practice within the broader context of photography and architecture, looking specifically at the exhibition New Topographics: Photographs of a Man-Altered Landscape (1975) and affiliated photographers to highlight ideas about photographically documenting built structures. The visual language of the deadpan aesthetic is an important aspect of my work, and I elaborate on and explore “neutral” and “objective” ways of seeing. I consider a selection of photographers to establish various ways in which imagemakers use a formalistic photographic approach to communicate narratives through the representation of built structures. I expand on a phenomenological approach to making images, exploring notions of tenderness, care, alienation and violence. In the second section of the document, (Dis)Locating my Practice and Making Space, I position myself within the identified terrain to further explicate my practice and project. The physical project takes the form of silver gelatin handprints, larger inkjet prints and a video projection, and I discuss the method of display and curation of the exhibition and how they motivate ways of looking, slowness and intimacy.
UCT Libraries logo

Contact us

Jill Claassen

Manager: Scholarly Communication & Publishing

Email: openuct@uct.ac.za

+27 (0)21 650 1263

  • Open Access @ UCT

    • OpenUCT LibGuide
    • Open Access Policy
    • Open Scholarship at UCT
    • OpenUCT FAQs
  • UCT Publishing Platforms

    • UCT Open Access Journals
    • UCT Open Access Monographs
    • UCT Press Open Access Books
    • Zivahub - Open Data UCT
  • Site Usage

    • Cookie settings
    • Privacy policy
    • End User Agreement
    • Send Feedback

DSpace software copyright © 2002-2026 LYRASIS