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| dc.contributor.advisor | May, James | en_ZA |
| dc.contributor.author |
Stoltz, Liesl
|
en_ZA |
| dc.date.accessioned | 2014-10-02T13:19:35Z | |
| dc.date.available | 2014-10-02T13:19:35Z | |
| dc.date.issued | 2003 | en_ZA |
| dc.identifier.citation | Stoltz, L. 2003. The French flute tradition. University of Cape Town. | en_ZA |
| dc.identifier.uri | http://hdl.handle.net/11427/7978 | |
| dc.description | Bibliography: leaves 131-138. | en_ZA |
| dc.description.abstract | The French flute tradition is remarkable and is admired by flautists, teachers and students of the flute all over the world. The dissertation researched the development of this tradition from the pre-Baroque period through to the modern era and tried to determine the underlying factors that stimulated its development specifically in France. The first key was added to the flute in France and with this the Hotteteres created the blueprint for the modern flute of today. During the Classical period the conservative French retarded the development of the instrument and the repertoire for the flute by initially rejecting additional keys. | en_ZA |
| dc.language.iso | eng | en_ZA |
| dc.subject.other | Performance | en_ZA |
| dc.title | The French flute tradition | en_ZA |
| dc.type | Master Thesis | |
| uct.type.publication | Research | en_ZA |
| uct.type.resource | Thesis | en_ZA |
| dc.publisher.institution | University of Cape Town | |
| dc.publisher.faculty | Faculty of Humanities | en_ZA |
| dc.publisher.department | College of Music | en_ZA |
| dc.type.qualificationlevel | Masters | |
| dc.type.qualificationname | MMus | en_ZA |
| uct.type.filetype | Text | |
| uct.type.filetype | Image | |
| dc.identifier.apacitation | Stoltz, L. (2003). <i>The French flute tradition</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,College of Music. Retrieved from http://hdl.handle.net/11427/7978 | en_ZA |
| dc.identifier.chicagocitation | Stoltz, Liesl. <i>"The French flute tradition."</i> Thesis., University of Cape Town ,Faculty of Humanities ,College of Music, 2003. http://hdl.handle.net/11427/7978 | en_ZA |
| dc.identifier.vancouvercitation | Stoltz L. The French flute tradition. [Thesis]. University of Cape Town ,Faculty of Humanities ,College of Music, 2003 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/7978 | en_ZA |
| dc.identifier.ris | TY - Thesis / Dissertation AU - Stoltz, Liesl AB - The French flute tradition is remarkable and is admired by flautists, teachers and students of the flute all over the world. The dissertation researched the development of this tradition from the pre-Baroque period through to the modern era and tried to determine the underlying factors that stimulated its development specifically in France. The first key was added to the flute in France and with this the Hotteteres created the blueprint for the modern flute of today. During the Classical period the conservative French retarded the development of the instrument and the repertoire for the flute by initially rejecting additional keys. DA - 2003 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2003 T1 - The French flute tradition TI - The French flute tradition UR - http://hdl.handle.net/11427/7978 ER - | en_ZA |
