The business of live music in South Africa and the jazz musician

 

Show simple item record

dc.contributor.advisor Campbell, Mike en_ZA
dc.contributor.author Bruce, Emily en_ZA
dc.date.accessioned 2014-09-02T09:58:08Z
dc.date.available 2014-09-02T09:58:08Z
dc.date.issued 2013 en_ZA
dc.identifier.citation Bruce, E. 2013. The business of live music in South Africa and the jazz musician. University of Cape Town. en_ZA
dc.identifier.uri http://hdl.handle.net/11427/6846
dc.description.abstract The goal of this dissertation is to investigate how the business of music operates in the live music industry of South Africa in relation to the jazz musician;; also what systems are in place that assist, protect the rights of, and provide for, the jazz musician (bearing in mind that most jazz musicians double as session musicians and dabble in various genres). Research will be conducted into what is working well within the live music industry in the UK, particularly in cities that have a rich population of active jazz performance venues and therefore, also jazz musicians. The intention for this research is to seek out the need for changes to be initiated in the South African music business with special focus on the jazz arena and particularly, conduct and legislation in the live music industry by drawing comparisons with the UK. The author's intentions are that possible alternatives will emerge during the course of this research that could increase the productivity and growth of the industry in terms of policies and systems, distribution of knowledge and access to information, successful unionisation and music business education. This study will include a component that will outline suggested key elements of the business side of music in relation to recognising the value of professional business skills for students studying jazz at tertiary level and for all professional musicians in the live music sector. en_ZA
dc.language.iso eng en_ZA
dc.title The business of live music in South Africa and the jazz musician en_ZA
dc.type Master Thesis
uct.type.publication Research en_ZA
uct.type.resource Thesis en_ZA
dc.publisher.institution University of Cape Town
dc.publisher.faculty Faculty of Humanities en_ZA
dc.publisher.department College of Music en_ZA
dc.type.qualificationlevel Masters
dc.type.qualificationname MMus en_ZA
uct.type.filetype Text
uct.type.filetype Image
dc.identifier.apacitation Bruce, E. (2013). <i>The business of live music in South Africa and the jazz musician</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,College of Music. Retrieved from http://hdl.handle.net/11427/6846 en_ZA
dc.identifier.chicagocitation Bruce, Emily. <i>"The business of live music in South Africa and the jazz musician."</i> Thesis., University of Cape Town ,Faculty of Humanities ,College of Music, 2013. http://hdl.handle.net/11427/6846 en_ZA
dc.identifier.vancouvercitation Bruce E. The business of live music in South Africa and the jazz musician. [Thesis]. University of Cape Town ,Faculty of Humanities ,College of Music, 2013 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/6846 en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Bruce, Emily AB - The goal of this dissertation is to investigate how the business of music operates in the live music industry of South Africa in relation to the jazz musician;; also what systems are in place that assist, protect the rights of, and provide for, the jazz musician (bearing in mind that most jazz musicians double as session musicians and dabble in various genres). Research will be conducted into what is working well within the live music industry in the UK, particularly in cities that have a rich population of active jazz performance venues and therefore, also jazz musicians. The intention for this research is to seek out the need for changes to be initiated in the South African music business with special focus on the jazz arena and particularly, conduct and legislation in the live music industry by drawing comparisons with the UK. The author's intentions are that possible alternatives will emerge during the course of this research that could increase the productivity and growth of the industry in terms of policies and systems, distribution of knowledge and access to information, successful unionisation and music business education. This study will include a component that will outline suggested key elements of the business side of music in relation to recognising the value of professional business skills for students studying jazz at tertiary level and for all professional musicians in the live music sector. DA - 2013 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2013 T1 - The business of live music in South Africa and the jazz musician TI - The business of live music in South Africa and the jazz musician UR - http://hdl.handle.net/11427/6846 ER - en_ZA


Files in this item

This item appears in the following Collection(s)

Show simple item record