Hench

 

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dc.contributor.advisor Smit, Alexia en_ZA
dc.contributor.author Steyn, Ronan en_ZA
dc.date.accessioned 2017-10-04T14:28:44Z
dc.date.available 2017-10-04T14:28:44Z
dc.date.issued 2017 en_ZA
dc.identifier.citation Steyn, R. 2017. Hench. University of Cape Town. en_ZA
dc.identifier.uri http://hdl.handle.net/11427/25533
dc.description.abstract Hench, by being set in the espionage genre, and following the henchman of an evil villain, offers a commentary on the modern working world by serving as a metaphor for the corporate workplace. The film follows a lowly henchman, Hank, who learns to challenge this corporate structure by achieving self-respect, thanks to an unlikely friendship with a James-Bond-esque agent. This creative explication explains how Hench achieves commentary on how large corporate structures operate to maintain control over employees, and the effects this has on individuals. It further highlights the tools and techniques used to formulate Hench into a fully realised feature screenplay. en_ZA
dc.language.iso eng en_ZA
dc.subject.other Creative Writing en_ZA
dc.subject.other Script Writing en_ZA
dc.subject.other Screenplays en_ZA
dc.title Hench en_ZA
dc.type Thesis / Dissertation en_ZA
uct.type.publication Research en_ZA
uct.type.resource Thesis en_ZA
dc.publisher.institution University of Cape Town
dc.publisher.faculty Faculty of Humanities en_ZA
dc.publisher.department Centre for Film and Media Studies en_ZA
dc.type.qualificationlevel Masters en_ZA
dc.type.qualificationname MA en_ZA
uct.type.filetype Text
uct.type.filetype Image


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