Exploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security hut

 

Show simple item record

dc.contributor.advisor Pather, Jay en_ZA
dc.contributor.author Postlethwaite, Rosa en_ZA
dc.date.accessioned 2015-05-28T04:16:59Z
dc.date.available 2015-05-28T04:16:59Z
dc.date.issued 2014 en_ZA
dc.identifier.citation Postlethwaite, R. 2014. Exploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security hut. University of Cape Town. en_ZA
dc.identifier.uri http://hdl.handle.net/11427/12963
dc.description Includes bibliographical references. en_ZA
dc.description.abstract This paper presents: The Frieze, The Anatomy Lecture Theatre and The Security Hut as outcomes of my practice-based research project into strategies of making autotopographical performance. Departing from Gonzalez’s theory of autotopography (1995), which focuses on objects belonging to individuals that are seen to signify their identity, and drawing on Heddon’s (2002; 2008), Bal’s (2002) and Arlander’s (2012) subsequent discussions around the term, I unpack the process of making live art performances in response to a site. During the process of making I examined the relationships between the material landscape, my processes of memory and my sense-of-self. en_ZA
dc.language.iso eng en_ZA
dc.subject.other Theatre and Performance en_ZA
dc.title Exploring the field of autotopography through live art practice : The frieze, The anatomy lecture theatre and The security hut en_ZA
dc.type Thesis / Dissertation en_ZA
uct.type.publication Research en_ZA
uct.type.resource Thesis en_ZA
dc.publisher.institution University of Cape Town
dc.publisher.faculty Faculty of Humanities en_ZA
dc.publisher.department Department of Drama en_ZA
dc.type.qualificationlevel Masters en_ZA
dc.type.qualificationname MA en_ZA
uct.type.filetype Text
uct.type.filetype Image


Files in this item

This item appears in the following Collection(s)

Show simple item record