Passing on: "The Weight of Memory" and the Second Generation Fiction of Anne Michaels, W. G. Sebald and Bernhard Schlink

 

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dc.contributor.advisor Clarkson, Carrol en_ZA
dc.contributor.advisor Young, Sandra en_ZA
dc.contributor.author Cawood, Megan Jane en_ZA
dc.date.accessioned 2015-05-06T14:18:51Z
dc.date.available 2015-05-06T14:18:51Z
dc.date.issued 2014 en_ZA
dc.identifier.citation Cawood, M. 2014. Passing on: "The Weight of Memory" and the Second Generation Fiction of Anne Michaels, W. G. Sebald and Bernhard Schlink. University of Cape Town. en_ZA
dc.identifier.uri http://hdl.handle.net/11427/12752
dc.description Includes bibliographical references en_ZA
dc.description.abstract The value of second generation fiction for Holocaust studies can be found in its self-conscious examination of what might constitute an ethical response to the testimony of another. I bring together the fictional texts of three authors of the generation after, Anne Michaels’s Fugitive Pieces, W. G. Sebald’s The Emigrants and Austerlitz and Bernhard Schlink’s The Reader, in order to investigate the textual strategies each text employs to bear witness on behalf of another and pass on what Sebald has called "the weight of memory" . While Sebald uses the phrase to describe the burden of memory experienced by survivors, I use his phrase as a point of departure to consider how the second generation responds to the burden of memory. Rather than portraying fictional examples of "vicarious witnessing" (Zeitlin) or "witness by adoption"(Hartman), these texts present a form of structural witnessing that models how one storyteller can carry and pass on the story of another as a kind of caretaker. I argue that such forms of witnessing on behalf of or for another comprise ethical acts in which the other’s story is accepted as distinct from one’s own. Rather than simply examining "the weight of memory" thematically, each text develops strategies for passing on this weight, and its resultant sense of responsibility, to the reader. I examine the structural and aesthetic strategies employed in these four texts to show how these devices set up the terms by which the text becomes the site of response. I pay particular attention to narrative structures that both model and perform instances of literary address and which create layered structures of "proxy­witnessing"(Gubar) within the space of the text. I consider how fragmentation and failure inform the aesthetics of these authors whose representational strategies may be considered productively "barbaric," to appropriate Adorno’s misunderstood aphorism, as the texts present narratives that are unsettling and yet engaging. The work of the gene ration after is that of carrying memory, but not so as to appropriate it or unduly over -identify with it, but rather to respond and demonstrate response in a gesture which then provokes alternative and continued responses. en_ZA
dc.language.iso eng en_ZA
dc.subject.other English Language and Literature en_ZA
dc.title Passing on: "The Weight of Memory" and the Second Generation Fiction of Anne Michaels, W. G. Sebald and Bernhard Schlink en_ZA
dc.type Doctoral Thesis
uct.type.publication Research en_ZA
uct.type.resource Thesis en_ZA
dc.publisher.institution University of Cape Town
dc.publisher.faculty Faculty of Humanities en_ZA
dc.publisher.department Department of English Language and Literature en_ZA
dc.type.qualificationlevel Doctoral
dc.type.qualificationname PhD en_ZA
uct.type.filetype Text
uct.type.filetype Image
dc.identifier.apacitation Cawood, M. J. (2014). <i>Passing on: "The Weight of Memory" and the Second Generation Fiction of Anne Michaels, W. G. Sebald and Bernhard Schlink</i>. (Thesis). University of Cape Town ,Faculty of Humanities ,Department of English Language and Literature. Retrieved from http://hdl.handle.net/11427/12752 en_ZA
dc.identifier.chicagocitation Cawood, Megan Jane. <i>"Passing on: "The Weight of Memory" and the Second Generation Fiction of Anne Michaels, W. G. Sebald and Bernhard Schlink."</i> Thesis., University of Cape Town ,Faculty of Humanities ,Department of English Language and Literature, 2014. http://hdl.handle.net/11427/12752 en_ZA
dc.identifier.vancouvercitation Cawood MJ. Passing on: "The Weight of Memory" and the Second Generation Fiction of Anne Michaels, W. G. Sebald and Bernhard Schlink. [Thesis]. University of Cape Town ,Faculty of Humanities ,Department of English Language and Literature, 2014 [cited yyyy month dd]. Available from: http://hdl.handle.net/11427/12752 en_ZA
dc.identifier.ris TY - Thesis / Dissertation AU - Cawood, Megan Jane AB - The value of second generation fiction for Holocaust studies can be found in its self-conscious examination of what might constitute an ethical response to the testimony of another. I bring together the fictional texts of three authors of the generation after, Anne Michaels’s Fugitive Pieces, W. G. Sebald’s The Emigrants and Austerlitz and Bernhard Schlink’s The Reader, in order to investigate the textual strategies each text employs to bear witness on behalf of another and pass on what Sebald has called "the weight of memory" . While Sebald uses the phrase to describe the burden of memory experienced by survivors, I use his phrase as a point of departure to consider how the second generation responds to the burden of memory. Rather than portraying fictional examples of "vicarious witnessing" (Zeitlin) or "witness by adoption"(Hartman), these texts present a form of structural witnessing that models how one storyteller can carry and pass on the story of another as a kind of caretaker. I argue that such forms of witnessing on behalf of or for another comprise ethical acts in which the other’s story is accepted as distinct from one’s own. Rather than simply examining "the weight of memory" thematically, each text develops strategies for passing on this weight, and its resultant sense of responsibility, to the reader. I examine the structural and aesthetic strategies employed in these four texts to show how these devices set up the terms by which the text becomes the site of response. I pay particular attention to narrative structures that both model and perform instances of literary address and which create layered structures of "proxy­witnessing"(Gubar) within the space of the text. I consider how fragmentation and failure inform the aesthetics of these authors whose representational strategies may be considered productively "barbaric," to appropriate Adorno’s misunderstood aphorism, as the texts present narratives that are unsettling and yet engaging. The work of the gene ration after is that of carrying memory, but not so as to appropriate it or unduly over -identify with it, but rather to respond and demonstrate response in a gesture which then provokes alternative and continued responses. DA - 2014 DB - OpenUCT DP - University of Cape Town LK - https://open.uct.ac.za PB - University of Cape Town PY - 2014 T1 - Passing on: "The Weight of Memory" and the Second Generation Fiction of Anne Michaels, W. G. Sebald and Bernhard Schlink TI - Passing on: "The Weight of Memory" and the Second Generation Fiction of Anne Michaels, W. G. Sebald and Bernhard Schlink UR - http://hdl.handle.net/11427/12752 ER - en_ZA


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