Breaking heterosoc, making a queerworld: using a queer directorial aesthetic to re-envision Hedda Gabler

Master Thesis

2011

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University of Cape Town

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This essay explicates the queering of a seminal realist text, Henrik Ibsen's Hedda Gabler, by means of a queer directorial aesthetic. Using queer theory, the heterosexual matrix (built on a rigid gender binary) and the nuclear family are posited as the crux of heteronormativity, which is the assumption and expectation that subjects are heterosexual.
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Includes abstract.


Includes bibliographical references (leaves 37-47).

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