The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers

 

Show simple item record

dc.contributor.author Saayman, Jasper Jacobus en_ZA
dc.date.accessioned 2014-12-30T19:51:34Z
dc.date.available 2014-12-30T19:51:34Z
dc.date.issued 2011 en_ZA
dc.identifier.citation Saayman, J. 2011. The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers. University of Cape Town. en_ZA
dc.identifier.uri http://hdl.handle.net/11427/10636
dc.description Includes bibliographical references (leaves 188-197). en_ZA
dc.description.abstract This dissertation is concerned with a comparative study of the relationships between the contrapuntal language of J.S. Bach, as evinced in the Well-Tempered Clavier, and fugues for the piano by selected Romantic composers. The research involves a preliminary investigation into the decline of Bach's music in the Classical era and the resurgence thereof in the Romantic era. en_ZA
dc.language.iso eng en_ZA
dc.subject.other Music en_ZA
dc.title The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers en_ZA
dc.type Thesis / Dissertation en_ZA
uct.type.publication Research en_ZA
uct.type.resource Thesis en_ZA
dc.publisher.institution University of Cape Town
dc.publisher.faculty Faculty of Humanities en_ZA
dc.publisher.department College of Music en_ZA
dc.type.qualificationlevel Masters en_ZA
dc.type.qualificationname MMus en_ZA
uct.type.filetype Text
uct.type.filetype Image


Files in this item

This item appears in the following Collection(s)

Show simple item record