Author:Correia, ShannonDate: 2020This research paper analyses the culture and community in Bo-Kaap, which is battling to preserve its heritage amid growing gentrification. Gentrification in this area is analysed as a special case in point, as although gentrification is ...Read more
Author:Haupt, AdamDate:2013This article explores Die Antwoord's blackface politics to question whether the concept of citizenship has any value in a context where marginal artists’ attempts to represent themselves on their own terms are overshadowed by the global reach ...Read more
Author:Brevis, ChadDate: 2022This dissertation explores political and economic resistance to communicative freedom in South Africa. Through a mixed methodology of Critical Discourse Analysis and Corpus Linguistics analysis, this dissertation seeks to explore how our ...Read more
Author:Erfort, Michael DavidDate:2013The construction of the text, the making of multiple personae and the construction of the self on Bob Dylan's album, Blood on the Tracks. Using arguments by theorists such as Roland Barthes, Jacques Derrida, Julia Kristeva and, more importantly, ...Read more
Author:Musundwa, Sibongile CDate:2015This thesis analyses South African news media discourses on piracy to consider whether corporate interests or those of civil society are served by stories about copyright infringement and piracy awareness campaigns. This thesis employs critical ...Read more
Author:Malczyk, AnnaDate:2010This thesis examines video games, copyright law and gamers' attitudes to copyright infringement, with particular reference to South Africa. The work provides an overview of the debates about copyright law and digital media, and offers an ...Read more
Author:Haupt, AdamDate:29 Sep 2014‘Why should I fight for a country’s glory/When it ignores me?/Besides, the
township’s already a war zone/So why complain or moan?’ The opening
lines from Prophets of da City’s (POC) 1993 song Understand where I’m
coming from expressed a ...Read morecbnd
Author:Behardien, ThaakirahDate: 2022Historically, Muslim female bodies have been a key focus of attention in colonial and patriarchal discursive practices. This colonial and patriarchal desire to control Muslim women's bodies ± and, by extension, their voice ± is rooted in ...Read more
Author:Haupt, AdamDate:2012Is Die Antwoord blackface? In a word, yes. During an interview in the US, Waddy Jones reportedly said, ‘‘God made a mistake with me. I’m actually black, trapped in a white body.’’87 Jones’ claim is consistent with his lyrics on ‘‘Never le ...Read more
Author:Ovesen, HåvardDate:2014This dissertation explores how knowledge construction on the English-language Wikipedia produces hegemonic representations of South Africa. Using Wikipedia's entries on Cape Town and various places in the Free State province as case studies, ...Read more
Author:Schoon, Alette JeanneDate:2017This ethnographic study describes the digital media ecologies of hip-hop artists in the marginalised township spaces of a town in South Africa. It shows how technology appropriation here is highly contextual and linked to social context, while ...Read more
Author:Samson, SeanDate:2014This work analyses the depiction of coloured women on trial for murder in South Africa’s Western Cape tabloids, the Daily Voice and Son. It argues that these depictions preserve conservative race, class, and gender norms. The coverage of the ...Read more
Author:Slemang, ZainabDate:2016This dissertation aims to explore how user-generated fashion content within the specific online community of Lookbook.nu is influenced by a set of underlying ideologies, such as beauty, power and gender to create specific and homogenous fashion ...Read more
Author:Becker, Danielle LoraineDate:2017In light of recent calls to decolonise curricula at South African universities there has been a renewed interest in what decolonisation might specifically imply for particular academic disciplines. Art history in South Africa has long struggled ...Read more
Author:Jeffery, ChristopherDate:2017The thesis examines the role of music in South African film pertaining to representation of identity of South African peoples and cultures, from the country's earliest sound films until the industry expansion of the 1970s. Chapter 1 contextualizes ...Read more
Author:Haupt, AdamDate:2005This thesis examines the agency of marginalised subjects in the context of global capitalism and the information age. The key question that is addressed is whether transnational corporations have appropriated aspects of cultural identity, ...Read more
Author:Haupt, AdamDate:2010Stealing Empire poses the question, ""What possibilities for agency exist in the age of corporate globalisation?"" Using the work of Antonio Negri and Michael Hardt as a point of entry, Adam Haupt delves into varied terrain to locate answers ...Read morecbn