Browsing by Department "The Centre for Open Learning (COL)"

Now showing 1 - 2 of 2
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    Open Access
    Accountability autonomy and authenticity: assessing the development waltz conducted to a 'kwaito' beat in Southern Africa
    (Taylor & Francis, 2008) Abrahams, Mark A
    For the purposes of accountability and uniformity, and as a way of giving insight into their intellectual capital regarding development practices, NGOs in Southern Africa are required by donor agencies to describe their intended activities in very clear, unambiguous terms. These requirements may include the expression of theoretical approaches, the development of logical frameworks, clear objectives, indicators for success, criteria for sustainable development, and relationships to government policies. However, the interface between reality and these planning measures and tools, most often completed without the input and contributions of the communities whom they are to serve/service, produces a much more messy, dynamic, and involved picture of the development process. None the less, the NGOs are still required to be accountable on the basis of their original proposal and planning. The author presents examples of this phenomenon and discusses the challenges facing an evaluator when dealing with competing principles of accountability, autonomy, and authenticity.
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    Open Access
    A multimodal social semiotic analysis of a museum rock art display
    (Common Ground Publishing, 2009) Rall, Medeé
    This paper will report on research on different design aspects of museum displays in a permanent and a mobile museum context. This research has been undertaken in order to understand how different aspects of museum displays contribute to meaning making. It looks at the interrelationship between different design elements and how these influence meaning making. Drawing on Kress and van Leeuwen's (1996; 2001) theory of multimodal discourse and on recent research on communication in museums (Ravelli: 2006; Meng in O'Halloran: 2006), this study considers why it is apposite to consider museums as multimodal, co-deploying different modes to make meaning. The paper investigates the design elements employed in museum displays, which include: linguistic design (labels and captions); visual design (objects on display, photographs and drawings); audio design (video recordings) and spatial design (lay-out of the display). The paper discusses a multimodal analysis of the rock art and rock engraving displays, drawing on inter alia the work of Kress and van Leeuwen (1996; 2001), which is done with the intention of formulating a metalanguage. It is envisaged that this metalanguage will enable museum practitioners and educators to talk about and better understand meaning making in museum displays and contribute to current debates on communication and meaning making in museums.