The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt

dc.contributor.authorKevin, Fellingham
dc.contributor.editorMichaletos, Nicoletta
dc.date.accessioned2022-11-14T13:12:08Z
dc.date.available2022-11-14T13:12:08Z
dc.date.issued2017
dc.description.abstractInstead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future. Instead of being made of natural materials, such as marble, granite: plastic, chrome, and electric light. They are not built for the ages, but rather against the ages. They are involved in a systematic reduction of time down to fractions of seconds, rather than in representing the long spaces of centuries. Both past and future are placed into an objective present. This kind of time has little or no space; it is stationary and without movement, it is going nowhere, it is anti-Newtonian, as well as being instant, and is against the wheels of the time-clock. - Robert Smithson, Entropy and the New Monuments (1966)en_US
dc.identifier.apacitationKevin, F. (2017). <i>The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt</i>. Great Britain: Cambridge Architectural Press. http://hdl.handle.net/11427/36890en_ZA
dc.identifier.chicagocitationKevin, Fellingham. <i>The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt</i>. Great Britain: Cambridge Architectural Press. 2017. http://hdl.handle.net/11427/36890.en_ZA
dc.identifier.citationKevin, F. 2017. <i>The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt</i>.Great Britain:Cambridge Architectural Press. http://hdl.handle.net/11427/36890.en_ZA
dc.identifier.isbn978-0-9930530-1-6
dc.identifier.ris TY - Book AU - Kevin, Fellingham AB - Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future. Instead of being made of natural materials, such as marble, granite: plastic, chrome, and electric light. They are not built for the ages, but rather against the ages. They are involved in a systematic reduction of time down to fractions of seconds, rather than in representing the long spaces of centuries. Both past and future are placed into an objective present. This kind of time has little or no space; it is stationary and without movement, it is going nowhere, it is anti-Newtonian, as well as being instant, and is against the wheels of the time-clock. - Robert Smithson, Entropy and the New Monuments (1966) CY - Great Britain DA - 2017 DB - OpenUCT DP - University of Cape Town ED - Michaletos, Nicoletta KW - South African Architecture KW - Roelof Uytenbogaardt KW - Architectural History KW - Architectural Theory KW - Temporality LK - https://open.uct.ac.za PP - Great Britain PY - 2017 SM - 978-0-9930530-1-6 T1 - The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt TI - The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt UR - http://hdl.handle.net/11427/36890 ER - en_ZA
dc.identifier.urihttp://hdl.handle.net/11427/36890
dc.identifier.vancouvercitationKevin F. The Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardt. Great Britain: Cambridge Architectural Press; 2017.http://hdl.handle.net/11427/36890en_ZA
dc.publisherCambridge Architectural Pressen_US
dc.publisher.facultyFaculty of Engineering and the Built Environmenten_US
dc.publisher.locationGreat Britainen_US
dc.subjectSouth African Architectureen_US
dc.subjectRoelof Uytenbogaardt
dc.subjectArchitectural History
dc.subjectArchitectural Theory
dc.subjectTemporality
dc.titleThe Way of All Flesh: Reflections on the entropy at work on the buildings of Roelof Uytenbogaardten_US
dc.typeBooken_US
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